{"id":28661,"date":"2011-10-10T14:34:47","date_gmt":"2011-10-10T21:34:47","guid":{"rendered":"http:\/\/www.the-frame.com\/?page_id=28661"},"modified":"2011-10-10T14:34:47","modified_gmt":"2011-10-10T21:34:47","slug":"1001-films-you-must-see-before-you-die","status":"publish","type":"page","link":"http:\/\/testing.the-frame.com\/?page_id=28661","title":{"rendered":"1001 Films You Must See Before You Die"},"content":{"rendered":"

Source: 1001 Films You Must See Before You Die<\/em>, edited by Steven Schneider
\nUp to date from source: 2007
\nUp to date per my viewing: October 28, 2011.<\/p>\n

Yet to See<\/h3>\n

1900-1929<\/h4>\n

Les Vampires<\/em> (1915; Louis Feuillade)
\nWithin Our Gates<\/em> (1920; Oscar Micheaux)
\nThe Phantom Carriage<\/em> (1921; Victor Sjöström)
\nOrphans of the Storm<\/em> (1921; D.W. Griffith)
\nThe Smiling Madame Beudet<\/em> (1922; Germaine Dulac)
\nDr. Mabuse<\/em> (1922; Fritz Lang)
\nFoolish Wives<\/em> (1923; Erich von Stroheim)
\nThe Wheel<\/em> (1923; Abel Gance)
\nThe Thief of Baghdad<\/em> (1924; Raoul Walsh)
\nStrike<\/em> (1924; Sergei Eisenstein)
\nGreed<\/em> (1924; Erich von Stroheim)
\nThe Last Laugh<\/em> (1924; F.W. Murnau)
\nSeven Chances<\/em> (1925; Buster Keaton)
\nThe Phantom of the Opera<\/em> (1925; Rupert Julian & Lon Chaney)
\nThe Big Parade<\/em> (1925; King Vidor)
\nThe Unknown<\/em> (1927; Tod Browning)
\nNapoléon<\/em> (1927; Abel Gance)
\nThe Kid Brother<\/em> (1927; J.A. Howe & Ted Wilde)
\nThe Crowd<\/em> (1928; King Vidor)
\nThe Docks of New York<\/em> (1928; Josef von Sternberg)
\nThe Passion of Joan of Arc<\/em> (1928; Carl Theodor Dreyer)
\nStorm Over Asia<\/em> (1928; Vsevolod Pudovkin)
\nPandora’s Box<\/em> (1929; Georg Wilhelm Pabst)<\/p>\n

1930-1939<\/h4>\n

L’age d’or<\/em> (1930; Luis Buñuel)
\nEarth<\/em> (1930; Aleksandr Dovzhenko)
\nLe million<\/em> (1931; René Clair)
\nTabu<\/em> (1931; F.W. Murnau)
\nLa Chienne<\/em> (1931; Jean Renoir)
\nVampyre<\/em> (1932; Carl Theodor Dreyer)
\nBoudu Saved from Drowning<\/em> (1932; Jean Renoir)
\nShanghai Express<\/em> (1932; Josef von Sternberg)
\nFreaks<\/em> (1932; Tod Browning)
\nMe and My Gal<\/em> (1932; Raoul Walsh)
\nZéro for Conduct<\/em> (1933; Jean Vigo)
\nLand Without Bread<\/em> (1933; Luis Buñuel)
\nSons of the Desert<\/em> (1933; William A. Seiter)
\nIt’s a Gift<\/em> (1933; Norman Z. McLeod)
\nL’atalante<\/em> (1934; Jean Vigo)
\nJudas Priest<\/em> (1934; John Ford)
\nA Day in the Country<\/em> (1936; Jean Renoir)
\nCamille<\/em> (1936; George Cukor)
\nDodsworth<\/em> (1936; William Wyler)
\nThings to Come<\/em> (1936; William Cameron Menzies)
\nThe Story of a Cheat<\/em> (1936; Sacha Guitry)
\nCaptains Courageous<\/em> (1937; Victor Fleming)
\nMidnight Song<\/em> (1937; Ma-Xu Weibang)
\nMake Way for Tomorrow<\/em> (1937; Leo McCarey)
\nPépé le Moko<\/em> (1937; Julien Duvivier)
\nAngels with Dirty Faces<\/em> (1938; Michael Curtiz)
\nOlympia<\/em> (1938; Leni Reinfenstahl)
\nThe Baker’s Wife<\/em> (1938; Marcel Pagnol)
\nThe Story of the Late Chrysanthemums<\/em> (1939; Kenji Mizaguchi)
\nDaybreak<\/em> (1939; Marcel Carné)<\/p>\n

1940-1949<\/h4>\n

The Mortal Storm<\/em> (1940; Frank Borzage)
\nThe Wolf Man<\/em> (1941; George Waggner)
\nSergeant York<\/em> (1941; Howard Hawks)
\nFires Were Started<\/em> (1943; Humphrey Jennings)
\nThe Man in Grey<\/em> (1943; Leslie Arliss)
\nThe Life and Death of Colonel Blimp<\/em> (1943; Michael Powell & Emeric Pressburger)
\nIvan the Terrible<\/em> (1944; Sergei Eisenstein)
\nThe Battle of San Pietro<\/em> (1945; John Huston)
\nThe Stranger<\/em> (1946; Orson Welles)
\nGreat Expectations<\/em> (1946; David Lean)
\nThe Ghost and Mrs. Muir<\/em> (1947; Joseph L. Mankiewicz)
\nOdd Man Out<\/em> (1947; Carol Reed)
\nSecret Beyond the Door<\/em> (1948; Fritz Lang)
\nSpring in a Small Town<\/em> (1948; Fei Mu)
\nLouisiana Story<\/em> (1948; Robert J. Flaherty)
\nThe Heiress<\/em> (1949; William Wyler)
\nWhisky Galore!<\/em> (1949; Alexander Mackendrick)
\nThe Reckless Moment<\/em> (1949; Max Ophüs)<\/p>\n

1950-1959<\/h4>\n

The Young and the Damned<\/em> (1950; Luis Buñuel)
\nA Place in the Sun<\/em> (1951; George Stevens)
\nPandora and the Flying Dutchman<\/em> (1951; Albert Lewin)
\nAngel Face<\/em> (1952; Otto Preminger)
\nEuropa ’51<\/em> (1952; Roberto Rossellini)
\nThe Big Sky<\/em> (1952; Howard Hawks)
\nThe Golden Coach<\/em> (1952; Jean Renoir)
\nThe Bigamist<\/em> (1953; Ida Lupino)
\nTokyo Story<\/em> (1953; Yasujiro Ozu)
\nVoyage in Italy<\/em> (1953; Roberto Rossellini)
\nUgetsu Monogatari<\/em> (1953; Kenji Mizoguchi)
\nAnimal Farm<\/em> (1954; Joy Batchelor & John Halas)
\nSenso<\/em> (1954; Luchino Visconti)
\nSilver Lode<\/em> (1954; Allan Dwan)
\nSalt of the Earth<\/em> (1954; Herbert J. Biberman)
\nArtists and Models<\/em> (1955; Frank Tashlin)
\nPather Panchali<\/em> (1955; Satyajit Ray)
\nBad Day at Black Rock<\/em> (1955; John Sturges)
\nThe Mad Masters<\/em> (1955; Jean Rouch)
\nHill 24 Doesn’t Know<\/em> (1955; Thorold Dickinson)
\nMarty<\/em> (1955; Delbert Mann)
\nOrdet<\/em> (1955; Carl Theodor Dreyer)
\nThe Phoenix City Story<\/em> (1955; Phil Karlson)
\nNight and Fog<\/em> (1955; Alain Resnais)
\nThe Burmese Harp<\/em> (1956; Kon Ichikawa)
\nAll That Heaven Allows<\/em> (1956; Douglas Sirk)
\nGunfight at the OK Corral<\/em> (1957; John Sturges)
\nWild Strawberries<\/em> (1957; Ingmar Bergman)
\nThrone of Blood<\/em> (1957; Akira Kurosawa)
\nAparajito<\/em> (1957; Satyajit Ray)
\nMother India<\/em> (1957; Mehboob Khan)
\nCairo Station<\/em> (1958; Youssef Chahine)
\nThe Defiant Ones<\/em> (1958; Stanley Kramer)
\nAshes and Diamonds<\/em> (1958; Andrzej Wajda)
\nThe Music Room<\/em> (1958; Satyajit Ray)
\nRide Lonesome<\/em> (1959; Budd Boetticher)
\nBlack Orpheus<\/em> (1959; Marcel Camus)
\nThe World of Apu<\/em> (1959; Satyajit Ray)
\nLe Trou<\/em> (1959; Jacques Becker)
\nFloating Weeds<\/em> (1959; Yasujiro Ozu)<\/p>\n

1960-1969<\/h4>\n

Rocco and His Brothers<\/em> (1960; Luchino Visconti)
\nSaturday Night and Sunday Morning<\/em> (1960; Karel Reisz)
\nLa Joven<\/em> (1960; Luis Buñuel)
\nThe Cloud-Capped Star<\/em> (1960; Ritwik Ghatak)
\nThe Housemaid<\/em> (1960; Kim Ki-young)
\nOne-Eyed Jacks<\/em> (1961; Marlon Brando)
\nLola<\/em> (1961; Jacques Demy)
\nLa Notte<\/em> (1961; Michelanglo Antonioni)
\nViridiana<\/em> (1961; Luis Buñuel)
\nThe Ladies’ Man<\/em> (1961; Jerry Lewis)
\nChronicle of a Summer<\/em> (1961; Edgar Morin & Jean Rouch)
\nMondo Cane<\/em> (1962; Paolo Cavara, Gualtiero Jacopetti, Franco E. Prosperi)
\nDog Star Man<\/em> (1962; Stan Brakhage)
\nAn Autumn Afternoon<\/em> (1962; Yasujiro Ozu)
\nL’eclisse<\/em> (1962; Michelangelo Antonioni)
\nLolita<\/em> (1962; Stanley Kubrick)
\nKeeper of Promises<\/em> (1962; Anselmo Duarte)
\nHeaven and Earth Magic<\/em> (1962; Harry Smith)
\nBlonde Cobra<\/em> (1963; Ken Jacobs)
\nPassenger<\/em> (1963; Witold Lesiewicz & Andrzej Munk)
\nFlaming Creatures<\/em> (1963; Jack Smith)
\nThe Leopard<\/em> (1963; Luchino Visconti)
\nBarren Lives<\/em> (1963; Nelson Pereira dos Santos)
\nMéditerranée<\/em> (1963; Jean-Daniel Pollet & Barbet Schroeder)
\nThe House is Black<\/em> (1963; Forugh Farrokhzad)
\nAn Actor’s Revenge<\/em> (1963; Kon Ichikawa)
\nThe Servant<\/em> (1963; Joseph Losey)
\nScorpio Rising<\/em> (1964; Kenneth Anger)
\nWoman in the Dunes<\/em> (1964; Hiroshi Teshigahara)
\nThe Red Desert<\/em> (1964; Michelangelo Antonioni)
\nShadows of Forgotten Ancestors<\/em> (1964; Sergei Parajanov)
\nBefore the Revolution<\/em> (1964; Bernardo Bertolucci)
\nGertrud<\/em> (1964; Carl Theodor Dreyer)
\nBlack God, White Devil<\/em> (1964; Glauber Rocha)
\nThe Demon<\/em> (1964; Kaneto Shindô)
\nVinyl<\/em> (1965; Andy Warhol)
\nThe Shop on Main Street<\/em> (1965; Ján Kadár & Elmar Klos)
\nThe War Game<\/em> (1965; Peter Watkins)
\nTokyo Olympiad<\/em> (1965; Kon Ichikawa)
\nThe Saragossa Manuscript<\/em> (1965; Wojciech Has)
\nChimes at Midnight<\/em> (1965; Orson Welles)
\nGolden River<\/em> (1965; Ritwik Ghatok)
\nThe Man Who Had His Hair Cut Short<\/em> (1965; André Delvaux)
\nHold Me While I’m Naked<\/em> (1966; George Kuchar)
\nCome Drink With Me<\/em> (1966; King Hu)
\nWho’s Afraid of Virginia Woolf?<\/em> (1966; Mike Nichols)
\nAu hasard Balthazar<\/em> (1966; Robert Bresson)
\nReport<\/em> (1967; Bruce Conner)
\nHombre<\/em> (1967; Martin Ritt)
\nCool Hand Luke<\/em> (1967; Stuart Rosenberg)
\nWavelength<\/em> (1967; Michael Snow)
\nThe Red and the White<\/em> (1967; Miklós Jancsó)
\nMarketa Lazarová<\/em> (1967; Frantisek Vláćil)
\nThe Fireman’s Ball<\/em> (1967; Milos Forman)
\nEarth Entranced<\/em> (1967; Glauber Rocha)
\nVij<\/em> (1967; Georgi Kropachyov & Konstanin Yershov)
\nGaav<\/em> (1967; Dariush Mehrjui)
\nFaces<\/em> (1968; John Cassavettes)
\nIf…<\/em> (1968; Lindsay Anderson)
\nMemories of Underdevelopment<\/em> (1968; Thomás Gutiérrez Alea)
\nDavid Holzman’s Diary<\/em> (1968; Jim McBride)
\nShame<\/em> (1968; Ingmar Bergman)
\nHour of the Wolf<\/em> (1968; Ingmar Bergman)
\nLucía<\/em> (1969; Humberto Solás)
\nA Touch of Zen<\/em> (1969; King Hu)
\nSatyricon<\/em> (1969; Federico Fellini)
\nThe Conformist<\/em> (1969; Bernardo Bertolucci)
\nHigh School<\/em> (1969; Frederick Wiseman)
\nIn the Year of the Pig<\/em> (1969; Emile de Antonio)
\nAndrei Rublev<\/em> (1969; Andrei Tarkovsky)
\nThe Butcher<\/em> (1969; Claude Chabrol)
\nThe Color of Pomegranates<\/em> (1969; Sergei Parajanov & Sergei Yutkevich)
\nKes<\/em> (1969; Ken Loach)<\/p>\n

1970-1979<\/h4>\n

Tristana<\/em> (1970; Luis Buñuel)
\nEl Topo<\/em> (1970; Alejandro Jodorowsky)
\nDeep End<\/em> (1970; Jerzy Skolimowski)
\nThe Spider’s Stratagem<\/em> (1970; Bernardo Bertolucci)
\nLittle Big Man<\/em> (1970; Arthur Penn)
\nThe Ear<\/em> (1970; Karel Kachyna)
\nPerformance<\/em> (1970; Donald Cammell & Nicolas Roeg)
\nGimme Shelter<\/em> (1970; Albert & David Maysles, Charlotte Zwerin)
\nZabriskie Point<\/em> (1970; Michelangelo Antonioni)
\nThe Bird with the Crystal Plumage<\/em> (1970; Dario Argento)
\nWanda<\/em> (1971; Barbara Loden)
\nW.R.: Mysteries of the Organism<\/em> (1971; Dusan Makavejev)
\nThe Sorrow and the Pity<\/em> (1971; Marcel Ophüls)
\nWalkabout<\/em> (1971; Nicolas Roeg)
\nRed Psalm<\/em> (1971; Miklös Jancsö)
\nGet Carter<\/em> (1971; Mike Hodges)
\nMurmer of the Heart<\/em> (1971; Louis Malle)
\nSweet Sweetback’s Baadassss Song<\/em> (1971; Melvin Van Peebles)
\nStraw Dogs<\/em> (1971; Sam Peckinpah)
\nThe Heartbreak Kid<\/em> (1972; Elaine May)
\nLast Tango in Paris<\/em> (1972; Bernardo Bertolucci)
\nHigh Plains Drifter<\/em> (1972; Clint Eastwood)
\nDeliverance<\/em> (1972; John Boorman)
\nSolaris<\/em> (1972; Andrei Tarkovsky)
\nCries and Whispers<\/em> (1972; Ingmar Bergman)
\nFat City<\/em> (1972; John Huston)
\nThe Bitter Tears of Petra von Kant<\/em> (1972; Rainer Werner Fassbinder)
\nPink Flamingos<\/em> (1972; John Waters)
\nSuperfly<\/em> (1972; Gordon Parks, Jr.)
\nThe Mother and the Whore<\/em> (1973; Jean Eustache)
\nEnter the Dragon<\/em> (1973; Robert Clouse)
\nSerpico<\/em> (1973; Sidney Lumet)
\nTurkish Delight<\/em> (1973; Paul Verhoeven)
\nThe Harder They Come<\/em> (1973; Perry Henzell)
\nPat Garrett and Billy the Kid<\/em> (1973; Sam Peckinpah)
\nDerzu Uzala<\/em> (1974; Akira Kurosawa)
\nThe Texas Chainsaw Massacre<\/em> (1974; Tobe Hooper)
\nThe Mirror<\/em> (1974; Andrei Tarkovsky)
\nAli: Fear Eats the Soul<\/em> (1974; Rainer Werner Fassbinder)
\nBring Me the Head of Alfredo Garcia<\/em> (1974; Sam Peckinpah)
\nDeewaar<\/em> (1975; Yosh Chopra)
\nBarry Lyndon<\/em> (1975; Stanley Kubrick)
\nFox and His Friends<\/em> (1975; Rainer Werner Fassbinder)
\nIndia Song<\/em> (1975; Marguerite Duras)
\nManila in the Claws of Brightness<\/em> (1975; Lino Brocka)
\nSalo, or the 120 Days of Sodom<\/em> (1975; Pier Paolo Pasolini)
\nCria!<\/em> (1975; Carlos Saura)
\nThe Traveling Players<\/em> (1975; Theo Angelopoulos)
\nThe Killing of a Chinese Bookie<\/em> (1976; John Cassavetes)
\nThe Outlaw Josey Wales<\/em> (1976; Clint Eastwood)
\nAscent<\/em> (1976; Larisa Shepitko)
\nIn the Realm of the Senses<\/em> (1976; Nagisa Oshima)
\n1900<\/em> (1976; Bernardo Bertolucci)
\nThe Man Who Fell to Earth<\/em> (1976; Nicolas Roeg)
\nThe Last Wave<\/em> (1977; Peter Weir)
\nLast Chants for a Slow Dance<\/em> (1977; Jon Jost)
\nStroszek<\/em> (1977; Werner Herzog)
\nMan of Marble<\/em> (1977; Andrzej Wajda)
\nSaturday Night Fever<\/em> (1977; John Badham)
\nKiller of Sheep<\/em> (1977; Charles Burnett)
\nEraserhead<\/em> (1977; David Lynch)
\nCeddo<\/em> (1977; Ousmane Sembene)
\nThe American Friend<\/em> (1977; Wim Wenders)
\nThe Hills Have Eyes<\/em> (1977; Wes Craven)
\nSoldier of Orange<\/em> (1977; Paul Verhoeven)
\nThe Chant of Jimmie Blacksmith<\/em> (1978; Fred Shepisi)
\nFive Deadly Venoms<\/em> (1978; Chang Cheh)
\nThe Tree of the Wooden Clogs<\/em> (1978; Ermamo Olmi)
\nThe Deer Hunter<\/em> (1978; Michael Cimino)
\nDays of Heaven<\/em> (1978; Terrence Malick)
\nDawn of the Dead<\/em> (1978; George A. Romero)
\nShaolin Master Killer<\/em> (1978; Chia-Liang Liu)
\nUp in Smoke<\/em> (1978; Lou Adler & Tommy Chong)
\nThe Marriage of Maria Braun<\/em> (1979; Rainer Werner Fassbinder)
\nReal Life<\/em> (1979; Albert Brooks)
\nMy Brilliant Career<\/em> (1979; Gillian Armstrong)
\nStalker<\/em> (1979; Andrei Tarkovsky)
\nBreaking Away<\/em> (1979; Peter Yates)
\nThe Tin Drum<\/em> (1979; Volker Schlöndorff)
\nBeing There<\/em> (1979; Hal Ashby)
\nNosferatu<\/em> (1979; Werner Herzog)<\/p>\n

1980-1989<\/h4>\n

Ordinary People<\/em> (1980; Robert Redford)
\nAtlantic City<\/em> (1980; Louis Malle)
\nThe Last Metro<\/em> (1980; François Truffaut)
\nThe Big Red One<\/em> (1980; Samuel Fuller)
\nLoulou<\/em> (1980; Maurice Pialat)
\nDas Boot<\/em> (1981; Wolfgang Petersen)
\nReds<\/em> (1981; Warren Beatty)
\nThree Brothers<\/em> (1981; Francesco Rosi)
\nMan of Iron<\/em> (1981; Andrzej Wajda)
\nToo Early, Too Late<\/em> (1981; Danièle Huillet & Jean-Marie Straub)
\nFast Times at Ridgement High<\/em> (1981; Amy Heckerling)
\nPoltergeist<\/em> (1982; Tobe Hooper)
\nYol<\/em> (1982; Serif Gören & Yilmaz Güney)
\nDiner<\/em> (1982; Barry Levinson)
\nFitzcarraldo<\/em> (1982; Werner Herzog)
\nThe Night of the Shooting Stars<\/em> (1982; Paolo & Vittorio Taviani)
\nA Question of Silence<\/em> (1982; Marleen Gorris)
\nFanny and Alexander<\/em> (1983; Ingmar Bergman)
\nEl Norte<\/em> (1983; Gregory Nava)
\nVideodrome<\/em> (1983; David Cronenberg)
\nThe Big Chill<\/em> (1983; Lawrence Kasdan)
\nSunless<\/em> (1983; Chris Marker)
\nThe Last Battle<\/em> (1983; Luc Besson)
\nL’argent<\/em> (1983; Robert Bresson)
\nUtu<\/em> (1983; Geoff Murphy)
\nTerms of Endearment<\/em> (1983; James L. Brooks)
\nThe Fourth Man<\/em> (1983; Paul Verhoeven)
\nThe King of Comedy<\/em> (1983; Martin Scorsese)
\nThe Right Stuff<\/em> (1983; Philip Kaufman)
\nOnce Upon a Time in America<\/em> (1983; Sergio Leone)
\nScarface<\/em> (1983; Brian DePalma)
\nThe Ballad of Narayama<\/em> (1983; Shohei Imamura)
\nParis, Texas<\/em> (1984; Wim Wenders)
\nBeverly Hills Cop<\/em> (1984; Martin Brest)
\nA Passage to India<\/em> (1984; David Lean)
\nStranger Than Paradise<\/em> (1984; Jim Jarmusch)
\nThe Killing Fields<\/em> (1984; Roland Jaffe)
\nThe Natural<\/em> (1984; Barry Levinson)
\nCome and See<\/em> (1985; Elem Klimov)
\nThe Official Story<\/em> (1985; Luis Puenzo)
\nThe Time to Live and the Time to Die<\/em> (1985; Hou Hsiao-hsien)
\nKiss of the Spider Woman<\/em> (1985; Hector Babenco)
\nThe Quiet Earth<\/em> (1985; Geoff Murphy)
\nMishima: A Life in Four Chapters<\/em> (1985; Paul Schrader)
\nPrizzi’s Honor<\/em> (1985; John Huston)
\nShoah<\/em> (1985; Claude Lanzmann)
\nManhunter<\/em> (1986; Michael Mann)
\nStand by Me<\/em> (1986; Rob Reiner)
\nThe Decline of the American Empire<\/em> (1986; Denys Arcand)
\nThe Fly<\/em> (1986; David Cronenberg)
\nDown by Law<\/em> (1986; Jim Jarmusch)
\nChildren of a Lesser God<\/em> (1986; Randa Haines)
\nPlatoon<\/em> (1986; Oliver Stone)
\nCaravaggio<\/em> (1986; Derek Jarman)
\nTampopo<\/em> (1986; Juzo Hami)
\nPeking Opera Blues<\/em> (1986; Tsui Hark)
\nSherman’s March<\/em> (1986; Ross McElwee)
\nThe Horse Thief<\/em> (1986; Tian Zhuangzhuang)
\nBrightness<\/em> (1987; Souleymane Cissé)
\nProject A, Part II<\/em> (1987; Jackie Chan)
\nBabette’s Feast<\/em> (1987; Gabriel Axel)
\nFull Metal Jacket<\/em> (1987; Stanley Kubrick)
\nGood Morning, Vietnam<\/em> (1987; Barry Levinson)
\nBroadcast News<\/em> (1987; James L. Brooks)
\nHousekeeping<\/em> (1987; Bill Forsythe)
\nRed Sorghum<\/em> (1987; Zhang Yimou)
\nThe Dead<\/em> (1987; John Huston)
\nFatal Attraction<\/em> (1987; Adrian Lyne)
\nA Chinese Ghost Story<\/em> (1987; Siu-Tun Ching)
\nThe Vanishing<\/em> (1988; George Sluizer)
\nWomen on the Verge of a Nervous Breakdown<\/em> (1988; Pedro Almòdovar)
\nAriel<\/em> (1988; Aki Kaurismäki)
\nThe Thin Blue Line<\/em> (1988; Errol Morris)
\nHotel Terminus: The Life and Times of Klaus Barbie<\/em> (1988; Marcel Ophüs)
\nThe Naked Gun<\/em> (1988; David Zucker)
\nThe Decalogue<\/em> (1988; Krzysztof Kieslowski)
\nLandscape in the Mist<\/em> (1988; Theo Angelopoulos)
\nA History of Wind<\/em> (1988; Joris Ivens)
\nThe Story of Women<\/em> (1988; Claude Chabrol)
\nDrowning by Numbers<\/em> (1988; Peter Greenaway)
\nAlice<\/em> (1988; Jan Svankmajer)
\nThe Cook, the Thief, His Wife, and Her Lover<\/em> (1989; Peter Greenaway)
\nDrugstore Cowboy<\/em> (1989; Gus Van Sant)
\nMy Left Foot<\/em> (1989; Jim Sheridan)
\nRoger and Me<\/em> (1989; Michael Moore)
\nThe Asthenic Syndrome<\/em> (1989; Kira Muratova)
\nsex, lies, and videotape<\/em> (1989; Steven Soderbergh)
\nThe Unbelievable Truth<\/em> (1989; Hal Hartley)
\nA City of Sadness<\/em> (1989; Hou Hsiao-hsien)<\/p>\n

1990-1999<\/h4>\n

No Fear, No Die<\/em> (1990; Claire Denis)
\nReversal of Fortune<\/em> (1990; Barbet Schroeder)
\nJacob’s Ladder<\/em> (1990; Adrian Lyne)
\nKing of New York<\/em> (1990; Abel Ferrera)
\nArchangel<\/em> (1990; Guy Maddin)
\nTrust<\/em> (1990; Hal Hartley)
\nClose-Up<\/em> (1990; Abbas Kiarostami)
\nHenry: Portrait of a Serial Killer<\/em> (1990; John McNaughton)
\nTotal Recall<\/em> (1990; Paul Verhoeven)
\nBoyz ‘n the Hood<\/em> (1991; John Singleton)
\nDelicatessen<\/em> (1991; David Cronenberg)
\nA Brighter Summer Day<\/em> (1991; Edward Yang)
\nThe Beautiful Troublemaker<\/em> (1991; Jacques Rivette)
\nThe Rapture<\/em> (1991; Michael Tolkin)
\nMy Own Private Idaho<\/em> (1991; Gus Van Sant)
\nTongues Untied<\/em> (1991; Marlon Riggs)
\nHearts of Darkness: A Filmmaker’s Apocalypse<\/em> (1991; Fax Bahr, Eleanor Coppola, George Hickenlooper)
\nRomper Stomper<\/em> (1992; Geoffrey Wright)
\nAileen Wuornos: The Selling of a Serial Killer<\/em> (1992; Nick Broomfield)
\nA Tale of Winter<\/em> (1992; Eric Rohmer)
\nThe Actress<\/em> (1992; Stanley Kwan)
\nMan Bites Dog<\/em> (1992; Rémy Belvaux, André Bonzel & Benoît Poelvoorde)
\nThirty-two Short Films About Glenn Gould<\/em> (1993; François Girard)
\nShort Cuts<\/em> (1993; Robert Altman)
\nThe Puppetmaster<\/em> (1993; Hou Hsiao-hsien)
\nThe Blue Kite<\/em> (1993; Tian Zhuangzhuang)
\nThe Wedding Banquet<\/em> (1993; Ang Lee)
\nHoop Dream<\/em> (1994; Steve James)
\nThe Last Seduction<\/em> (1994; John Dahl)
\nThe Wild Reeds<\/em> (1994; André Técheiné)
\nCrumb<\/em> (1994; Terry Zwigoff)
\nSátántangó<\/em> (1994; Béla Tarr)
\nZire Carakhatan Zeyton<\/em> (1994; Abbas Kiarostami)
\nHeavenly Creatures<\/em> (1994; Peter Jackson)
\nDear Diary<\/em> (1994; Nanni Moretti)
\nMuriel’s Wedding<\/em> (1994; P.J. Hogan)
\nThe Kingdom<\/em> (1994; Morten Anfred & Lars von Trier)
\nDeseret<\/em> (1995; James Benning)
\nSafe<\/em> (1995; Todd Haynes)
\nCasino<\/em> (1995; Martin Scorsese)
\nHeat<\/em> (1995; Michael Mann)
\nZero Kelvin<\/em> (1995; Hans Petter Moland)
\nSmoke<\/em> (1995; Wayne Wang & Paul Auster)
\nThe White Balloon<\/em> (1995; Jafar Panahi)
\nUnderground<\/em> (1995; Emir Kusturica)
\nCyclo<\/em> (1995; Anh-Hung Tran)
\nDead Man<\/em> (1995; Jim Jarmusch)
\nThree Lives and Only One Death<\/em> (1996; Raoul Ruiz)
\nShine<\/em> (1996; Scott Hicks)
\nBreaking the Waves<\/em> (1996; Lars von Trier)
\nSecrets and Lies<\/em> (1996; Mike Leigh)
\nGabbeh<\/em> (1996; Maohsen Makhmalbaf)
\nLone Star<\/em> (1996; John Sayles)
\nHappy Together<\/em> (1997; Wong Kar-wai)
\nThe Butcher Boy<\/em> (1997; Neil Jordan)
\nThe Ice Storm<\/em> (1997; Ang Lee)
\nDeconstructing Harry<\/em> (1997; Woody Allen)
\nThe Sweet Hereafter<\/em> (1997; Atom Egoyan)
\nFunny Games<\/em> (1997; Michael Haneke)
\nTaste of Cherry<\/em> (1997; Abbas Kiarostami)
\nMother and Son<\/em> (1997; Aleksandr Sukurov)
\nTetsuo<\/em> (1998; Shinya Tsukamoto)
\nThe Celebration<\/em> (1998; Thomas Vinterberg)
\nBuffalo 66<\/em> (1998; Vincent Gallo)
\nThe Idiots<\/em> (1998; Lars von Trier)
\nHappiness<\/em> (1998; Todd Solodz)
\nThe Thin Red Line<\/em> (1998; Terrence Malick)
\nThere’s Something About Mary<\/em> (1998; Bobby & Peter Farrelly)
\nSombre<\/em> (1998; Phillippe Grandrieux)
\nTaboo<\/em> (1999; Nagisa Oshimi)
\nBeau Travail<\/em> (1999; Claire Denis)
\nRosetta<\/em> (1999; Jean-Pierre & Luc Dardenne)
\nTime Regained<\/em> (1999; Raoul Ruiz)
\nThe Wind Will Carry Us<\/em> (1999; Abbas Kiarostami)<\/p>\n

2000-2007<\/h4>\n

The Gleaners and I<\/em> (2000; Agnès Varda)
\nNine Queens<\/em> (2000; Fabiá Bielinsky)
\nThe Captive<\/em> (2000; Chantal Ackerman)
\nAli Zaoua, Prince of the Streets<\/em> (2000; Nabil Ayouch)
\nKippur<\/em> (2000; Amos Gital)
\nYi Yi (A One and a Two)<\/em> (2000; Edward Yang)
\nRequiem for a Dream<\/em> (2000; Darren Aronofsky)
\nMeet the Parents<\/em> (2000; Jay Roach)
\nSigns and Wonders<\/em> (2000; Jonathan Nossiter)
\nKandahar<\/em> (2001; Mohsen Makhmalbaf)
\nWhat Time Is It There?<\/em> (2001; Ming-liang Tsai)
\nThe Piano Teacher<\/em> (2001; Michael Haneke)
\nThe Son’s Room<\/em> (2001; Nanni Moretti)
\nNo Man’s Land<\/em> (2001; Danis Tanovic)
\nFat Girl<\/em> (2001; Catherine Breillat)
\nThe Pianist<\/em> (2002; Roman Polanski)
\nThe Barbarian Invasions<\/em> (2003; Denys Arcand)
\nFahrenheit 9\/11<\/em> (2004; Michael Moore)
\nHead On<\/em> (2004; Fatih Akin)
\n3-Iron<\/em> (2004; Kim Ki-duk)
\nTsotsi<\/em> (2005; Gavin Hood)
\nParadise Now<\/em> (2005; Hany Abu-assad)
\nGo, See, and Become<\/em> (2005; Radu Mihaileanu)
\nApocalypto<\/em> (2006; Mel Gibson)
\nLa vie en rose<\/em> (2007; Olivier Dahan)<\/p>\n

Seen<\/h3>\n

1900-1929<\/h4>\n

A Trip to the Moon<\/em> (1902; Georges Méliès)
\nThe Great Train Robbery<\/em> (1903; Edwin S. Porter)
\nThe Birth of a Nation<\/em> (1915; D.W. Griffith)
\nIntolerance<\/em> (1916; D.W. Griffith)
\nThe Cabinet of Dr. Caligari<\/em> (1919; Robert Weine)
\nBroken Blossoms<\/em> (1919; D.W. Griffith)
\nWay Down East<\/em> (1920; D.W. Griffith)
\nNanook of the North<\/em> (1922; Robert J. Flaherty)
\nNosferatu<\/em> (1922; F.W. Murnau)
\nHäxan<\/a><\/em> (1923; Benjamin Christensen)
\nOur Hospitality<\/em> (1923; Buster Keaton & John G. Blystone)
\nSherlock Jr.<\/em> (1924; Buster Keaton & Roscoe Arbuckle)
\nThe Battleship Potemkin<\/em> (1925; Sergei Eisenstein)
\nThe Gold Rush<\/em> (1925; Charlie Chaplin)
\nMetropolis<\/a><\/em> (1927; Fritz Lang)
\nSunrise<\/a><\/em> (1927; F.W. Murnau)
\nThe General<\/em> (1927; Buster Keaton)
\nOktober<\/em> (1927; Sergei Eisenstein)
\nThe Jazz Singer<\/em> (1927; Alan Crosland)
\nUn Chien Andalou<\/em> (1928; Luis Buñuel)
\nSteamboat Bill Jr.<\/em> (1928; Buster Keaton & Charles Reisner)
\nBlackmail<\/em> (1929; Alfred Hitchcock)
\nMan With a Movie Camera<\/em> (1929; Dziga Vertov)<\/p>\n

1930-1939<\/h4>\n

The Blue Angel<\/a><\/em> (1930; Josef von Sternberg)
\nLittle Caesar<\/em> (1931; Mervyn LeRoy)
\nAll Quiet on the Western Front<\/em> (1930; Lewis Milestone)
\nÀ nous la liberté<\/a><\/em> (1930; René Clair)
\nDracula<\/em> (1931; Tod Browning)
\nFrankenstein<\/em> (1931; James Whale)
\nCity Lights<\/em> (1931; Charlie Chaplin)
\nThe Public Enemy<\/em> (1931; William A. Wellman)
\nM<\/em> (1931; Fritz Lang)
\nLove Me Tonight<\/em> (1932; Rouben Mamoulian)
\nI am a Fugitive from a Chain Gang<\/a><\/em> (1932; Mervyn LeRoy)
\nTrouble in Paradise<\/em> (1932; Ernst Lubitsch)
\nScarface: The Shame of a Nation<\/em> (1932; Howard Hawks)
\n42nd Street<\/a><\/em> (1933; Lloyd Bacon)
\nFootlight Parade<\/em> (1933; Lloyd Bacon)
\nGold Diggers of 1933<\/a><\/em> (1933; Mervyn LeRoy)
\nShe Done Him Wrong<\/em> (1933; Lowell Sherman)
\nDuck Soup<\/em> (1933; Leo McCarey)
\nQueen Christina<\/em> (1933; Rouben Mamoulian)
\nKing Kong<\/a><\/em> (1933; Merian C. Cooper & Ernest B. Schoedsack)
\nThe Bitter Tea of General Yen<\/em> (1933; Frank Capra)
\nTriumph of the Will<\/em> (1934; Leni Reifenstahl)
\nThe Black Cat<\/em> (1934; Edgar G. Ulmer)
\nIt Happened One Night<\/em> (1934; Frank Capra)
\nThe Thin Man<\/em> (1934; W.S. Van Dyke)
\nCaptain Blood<\/em> (1935; Michael Curtiz)
\nMutiny on the Bounty<\/em> (1935; Frank Lloyd)
\nA Night at the Opera<\/em> (1935; Sam Wood)
\nThe 39 Steps<\/em> (1935; Alfred Hitchcock)
\nBride of Frankenstein<\/em> (1935; James Whale)
\nTop Hat<\/em> (1935; Mark Sandrich)
\nModern Times<\/em> (1936; Charlie Chaplin)
\nSwing Time<\/em> (1936; George Stevens)
\nMy Man Godfrey<\/em> (1936; Gregory LaCava)
\nMr. Deeds Goes to Town<\/em> (1936; Frank Capra)
\nSabotage<\/em> (1936; Alfred Hitchcock)
\nGrand Illusion<\/em> (1937; Jean Renoir)
\nStella Dallas<\/em> (1937; King Vidor)
\nThe Life of Emile Zola<\/em> (1937; William Dieterle)
\nSnow White and Seven Dwarfs<\/em> (1937; Walt Disney)
\nThe Awful Truth<\/em> (1937; Leo McCarey)
\nJezebel<\/em> (1938; William Wyler)
\nThe Adventures of Robin Hood<\/em> (1938; Michael Curtiz & William Keighley)
\nBringing Up Baby<\/em> (1938; Howard Hawks)
\nStagecoach<\/em> (1939; John Ford)
\nBabes in Arms<\/em> (1939; Busby Berkeley)
\nMr. Smith Goes to Washington<\/em> (1939; Frank Capra)
\nThe Wizard of Oz<\/em> (1939; Victor Fleming)
\nDestry Rides Again<\/em> (1939; George Marshall)
\nOnly Angels Have Wings<\/em> (1939; Howard Hawks)
\nGone With the Wind<\/em> (1939; Victor Fleming)
\nGunga Din<\/em> (1939; George Stevens)
\nNinotchka<\/em> (1939; Ernst Lubitsch)
\nThe Rules of the Game<\/em> (1939; Jean Renoir)
\nWuthering Heights<\/em> (1939; William Wyler)<\/p>\n

1940-1949<\/h4>\n

His Girl Friday<\/em> (1940; Howard Hawks)
\nRebecca<\/em> (1940; Alfred Hitchcock)
\nFantasia<\/em> (1940; Ben Sharpsteen)
\nThe Philadelphia Story<\/em> (1940; George Cukor)
\nThe Grapes of Wrath<\/em> (1940; John Ford)
\nDance, Girl, Dance<\/em> (1940; Dorothy Arzner)
\nPinocchio<\/em> (1940; Hamilton Luske & Ben Sharpsteen)
\nThe Bank Dick<\/em> (1940; Edward F. Cline)
\nCitizen Kane<\/em> (1941; Orson Welles)
\nThe Lady Eve<\/em> (1941; Preston Sruges)
\nThe Maltese Falcon<\/em> (1941; John Huston)
\nDumbo<\/em> (1941; Ben Sharpsteen)
\nHigh Sierra<\/em> (1941; Raoul Walsh)
\nSullivan’s Travels<\/em> (1941; Preston Sturges)
\nHow Green Was My Valley<\/em> (1941; John Ford)
\nThe Palm Beach Story<\/em> (1942; Preston Sturges)
\nNow, Voyager<\/em> (1942; Irving Rapper)
\nCasablanca<\/a><\/em> (1942; Michael Curtiz)
\nTo Be or Not to Be<\/em> (1942; Ernst Lubitsch)
\nCat People<\/em> (1942; Jacques Tourneur)
\nThe Magnificent Ambersons<\/em> (1942; Orson Welles)
\nYankee Doodle Dandy<\/em> (1942; Michael Curtiz)
\nMeshes of the Afternoon<\/em> (1943; Maya Deren & Alexander Hammid)
\nI Walked With a Zombie<\/a><\/em> (1943; Jacques Tourneur)
\nThe Ox-Bow Incident<\/em> (1943; William A. Wellman)
\nShadow of a Doubt<\/em> (1943; Alfred Hitchcock)
\nOssessione<\/em> (1943; Luchino Visconti)
\nMeet Me in St. Louis<\/em> (1944; Vincente Minnelli)
\nTo Have and Have Not<\/em> (1944; Howard Hawks)
\nLaura<\/em> (1944; Otto Preminger)
\nGaslight<\/em> (1944; George Cukor)
\nHenry V<\/a><\/em> (1944; Laurence Olivier)
\nDouble Indemnity<\/em> (1944; Billy Wilder)
\nMurder, My Sweet<\/em> (1944; Edward Dmytryk)
\nSpellbound<\/em> (1945; Alfred Hitchcock)
\nMildred Pierce<\/a><\/em> (1945; Michael Curtiz)
\nChildren of Paradise<\/em> (1945; Marcel Carné)
\nOpen City<\/em> (1945; Roberto Rossellini)
\nThe Lost Weekend<\/em> (1945; Billy Wilder)
\nDetour<\/a><\/em> (1945; Edgar G. Ullmer)
\nI Know Where I’m Going!<\/em> (1945; Michael Powell & Emeric Pressburger)
\nThe Best Years of Our Lives<\/em> (1946; William Wyler)
\nBrief Encounter<\/em> (1946; David Lean)
\nPaisan<\/em> (1946; Roberto Rossellini)
\nThe Postman Always Rings Twice<\/em> (1946; Tay Garnett)
\nMy Darling Clementine<\/em> (1946; John Ford)
\nBeauty and the Beast<\/em> (1946; Jean Cocteau)
\nThe Big Sleep<\/em> (1946; Howard Hawks)
\nThe Killers<\/a><\/em> (1946; Robert Siodmak)
\nA Matter of Life and Death<\/em> (1946; Michael Powell & Emeric Pressburger)
\nNotorious<\/em> (1946; Alfred Hitchcock)
\nIt’s a Wonderful Life<\/em> (1946; Frank Capra)
\nGilda<\/em> (1946; Charles Vidor)
\nBlack Narcissus<\/em> (1947; Michael Powell & Emeric Pressburger)
\nMonsieur Verdoux<\/em> (1947; Charlie Chaplin)
\nOut of the Past<\/em> (1947; Jacques Tourneur)
\nBicycle Thieves<\/em> (1948; Vittorio de Sica)
\nLetter from an Unknown Woman<\/em> (1948; Max Oph&üls)
\nForce of Evil<\/em> (1948; Abraham Polonsky)
\nRed River<\/em> (1948; Howard Hawks & Arthur Rosson)
\nRope<\/em> (1948; Alfred Hitchcock)
\nThe Snake Pit<\/em> (1948; Anatole Litvak)
\nThe Lady from Shanghai<\/em> (1948; Orson Welles)
\nThe Paleface<\/em> (1948; Norman Z. McLeod)
\nThe Red Shoes<\/em> (1948; Michael Powell & Emeric Pressburger)
\nThe Treasure of the Sierra Madre<\/em> (1948; John Huston)
\nKind Hearts and Coronets<\/em> (1949; Robert Harner)
\nGun Crazy<\/em> (1949; Joseph H. Lewis)
\nAdam’s Rib<\/em> (1949; George Cukor)
\nWhite Heat<\/em> (1949; Raoul Walsh)
\nThe Third Man<\/em> (1949; Carol Reed)
\nOn the Town<\/em> (1949; Stanley Donen & Gene Kelly)
\nOrpheus<\/a><\/em> (1949; Jean Cocteau)<\/p>\n

1950-1959<\/h4>\n

The Asphalt Jungle<\/em> (1950; John Huston)
\nRashomon<\/em> (1950; Akira Kurosawa)
\nWinchester ’73<\/em> (1950; Anthony Mann)
\nRio Grande<\/em> (1950; John Ford)
\nAll About Eve<\/em> (1950; Joseph L. Mankiewicz)
\nSunset Boulevard<\/em> (1950; Billy Wilder)
\nIn a Lonely Place<\/a><\/em> (1950; Nicholas Ray)
\nThe Big Carnival<\/em> (aka Ace in the Hole<\/em>) (1951; Billy Wilder)
\nA Streetcar Named Desire<\/em> (1951; Elia Kazan)
\nStrangers on a Train<\/em> (1951; Alfred Hitchcock)
\nThe Lavender Hill Mob<\/em> (1951; Charles Crighton)
\nThe African Queen<\/a><\/em> (1951; John Huston)
\nDiary of a Country Priest<\/em> (1951; Robert Bresson)
\nAn American in Paris<\/em> (1951; Vincente Minnelli)
\nThe Day the Earth Stood Still<\/em> (1951; Robert Wise)
\nThe Quiet Man<\/em> (1952; John Ford)
\nForbidden Games<\/em> (1952; René Clément)
\nSingin’ in the Rain<\/em> (1952; Stanley Donen & Gene Kelly)
\nIkiru<\/a><\/em> (1952; Akira Kurosawa)
\nThe Bad and the Beautiful<\/em> (1952; Vincente Minnelli)
\nHigh Noon<\/em> (1952; Fred Zinnemann)
\nUmberto D<\/a><\/em> (1952; Vittorio de Sica)
\nThe Band Wagon<\/em> (1953; Vincente Minnelli)
\nThe Earrings of Madame de…<\/em> (1953; Max Ophüls)
\nFrom Here to Eternity<\/em> (1953; Fred Zinnemann)
\nRoman Holiday<\/em> (1953; William Wyler)
\nThe Wages of Fear<\/a><\/em> (1953; Henri-Georges Clouzot)
\nThe Naked Spur<\/em> (1953; Anthony Mann)
\nPickup on South Street<\/em> (1953; Samuel Fuller)
\nGentlemen Prefer Blondes<\/em> (1953; Howard Hawks)
\nThe Big Heat<\/em> (1953; Fritz Lang)
\nM. Hulot’s Holiday<\/em> (1953; Jacques Tati)
\nShane<\/em> (1953; George Stevens)
\nBeat the Devil<\/em> (1953; John Huston)
\nJohnny Guitar<\/em> (1954; Nicholas Ray)
\nOn the Waterfront<\/em> (1954; Elia Kazan)
\nSeven Brides for Seven Brothers<\/em> (1954; Stanley Donen)
\nLes Diaboliques<\/em> (1954; Henri-Georges Clouzot)
\nRear Window<\/em> (1954; Alfred Hitchcock)
\nA Star is Born<\/em> (1954; George Cukor)
\nThe Barefoot Contessa<\/em> (1954; Joseph L. Mankiewicz)
\nLa Strada<\/em> (1954; Federico Fellini)
\nThe Seven Samurai<\/em> (1954; Akira Kurosawa)
\nCarmen Jones<\/em> (1954; Otto Preminger)
\nSansho the Bailiff<\/em> (1954; Kenji Mizoguchi)
\nGuys and Dolls<\/em> (1955; Joseph L. Mankiewicz)
\nThe Ladykillers<\/em> (1955; Alexander Mackendrick)
\nBob le flambeur<\/a><\/em> (1955; Jean-Pierre Melville)
\nKiss Me Deadly<\/a><\/em> (1955; Robert Aldrich)
\nThe Man from Laramie<\/em> (1955; Anthony Mann)
\nRebel Without a Cause<\/em> (1955; Nicholas Ray)
\nSmiles of a Summer Night<\/em> (1955; Ingmar Bergman)
\nThe Night of the Hunter<\/em> (1955; Charles Laughton)
\nLola Montès<\/em> (1955; Max Ophüls)
\nForbidden Planet<\/em> (1956; Fred M. Wilcox)
\nThe Searchers<\/em> (1956; John Ford)
\nA Man Escaped<\/em> (1956; Robert Bresson)
\nWritten on the Wind<\/a><\/em> (1956; Douglas Sirk)
\nThe Man Who Knew Too Much<\/em> (1956; Alfred Hitchcock)
\nGiant<\/em> (1956; George Stevens)
\nInvasion of the Body Snatchers<\/em> (1956; Don Siegel)
\nThe Wrong Man<\/a><\/em> (1956; Alfred Hitchcock)
\nBigger Than Life<\/em> (1956; Nicholas Ray)
\nHigh Society<\/em> (1956; Charles Walter)
\nThe Ten Commandments<\/em> (1956; Cecil B. DeMille)
\n12 Angry Men<\/em> (1957; Sidney Lumet)
\nThe Seventh Seal<\/em> (1957; Ingmar Bergman)
\nAn Affair to Remember<\/em> (1957; Leo McCarey)
\nThe Nights of Cabiria<\/em> (1957; Federico Fellini)
\nThe Incredible Shrinking Man<\/em> (1957; Jack Arnold)
\nThe Bridge on the River Kwai<\/em> (1957; David Lean)
\nThe Cranes are Flying<\/a><\/em> (1957; Mikheil Kalatozishvili)
\nPaths of Glory<\/a><\/em> (1957; Stanley Kubrick)
\nSweet Smell of Success<\/em> (1957; Alexander Mackendrick)
\nMan of the West<\/em> (1958; Anthony Mann)
\nTouch of Evil<\/em> (1958; Orson Welles)
\nGigi<\/em> (1958; Vincente Minnelli)
\nVertigo<\/em> (1958; Alfred Hitchcock)
\nDracula<\/em> (1958; Terence Fisher)
\nMon Oncle<\/em> (1958; Jacques Tati)
\nThe 400 Blows<\/em> (1959; François Truffaut)
\nNorth by Northwest<\/em> (1959; Alfred Hitchcock)
\nSome Like It Hot<\/em> (1959; Billy Wilder)
\nAnatomy of a Murder<\/em> (1959; Otto Preminger)
\nShadows<\/em> (1959; John Cassavettes)
\nBreathless<\/a><\/em> (1959; Jean-Luc Godard)
\nBen-Hur<\/em> (1959; William Wyler)
\nEyes Without a Face<\/em> (1959; Georges Franju)
\nPickpocket<\/a><\/em> (1959; Robert Bresson)
\nHiroshima, Mon Amour<\/em> (1959; Alain Resnais)
\nRio Bravo<\/em> (1959; Howard Hawks)<\/p>\n

1960-1969<\/h4>\n

La Dolce Vita<\/em> (1960; Federico Fellini)
\nShoot the Piano Player<\/em> (1960; François Truffaut)
\nL’avventura<\/a><\/em> (1960; Michelangelo Antonioni)
\nPsycho<\/em> (1960; Alfred Hitchcock)
\nBlack Sunday<\/em> (1960; Mario Bava & Lee Kresel)
\nPeeping Tom<\/em> (1960; Michael Powell)
\nThe Apartment<\/em> (1960; Billy Wilder)
\nSpartacus<\/em> (1960; Stanley Kubrick)
\nSplendor in the Grass<\/em> (1961; Elia Kazan)
\nLast Year at Marienbad<\/em> (1961; Alain Resnais)
\nLa jetée<\/em> (1961; Chris Marker)
\nBreakfast at Tiffany’s<\/em> (1961; Blake Edwards)
\nThrough a Glass Darkly<\/a><\/em> (1961; Ingmar Bergman)
\nThe Hustler<\/em> (1961; Robert Rossen)
\nWest Side Story<\/em> (1961; Robert Wise & Jerome Robbins)
\nJules and Jim<\/em> (1962; François Truffaut)
\nCleo from 5 to 7<\/em> (1962; Agnès Varda)
\nLawrence of Arabia<\/em> (1962; David Lean)
\nTo Kill a Mockingbird<\/em> (1962; Robert Mulligan)
\nThe Manchurian Candidate<\/em> (1962; John Frankenheimer)
\nThe Man Who Shot Liberty Valance<\/em> (1962; John Ford)
\nWhatever Happened to Baby Jane?<\/em> (1962; Robert Aldrich)
\nVivre sa vie<\/a><\/em> (1962; Jean-Luc Godard)
\nThe Birds<\/em> (1963; Alfred Hitchcock)
\nThe Nutty Professor<\/em> (1963; Jerry Lewis)
\nThe Cool World<\/em> (1963; Shirley Clarke)
\n8 1\/2<\/em> (1963; Federico Fellini)
\nContempt<\/em> (1963; Jean-Luc Godard)
\nHud<\/em> (1963; Martin Ritt)
\nWinter Light<\/a><\/em> (1963; Ingmar Bergman)
\nThe Great Escape<\/a><\/em> (1963; John Sturges)
\nShock Corridor<\/a><\/em> (1963; Samuel Fuller)
\nThe Haunting<\/em> (1963; Robert Wise)
\nGoldfinger<\/em> (1964; Guy Hamilton)
\nThe Umbrellas of Cherbourg<\/em> (1964; Jacques Demy)
\nMarnie<\/em> (1964; Alfred Hitchcock)
\nMy Fair Lady<\/em> (1964; George Cukor)
\nDr. Strangelove<\/em> (1964; Stanley Kubrick)
\nA Hard Day’s Night<\/em> (1964; Richard Lester)
\nThe Gospel According to St. Matthew<\/a><\/em> (1964; Pier Paolo Pasolini)
\nDoctor Zhivago<\/em> (1965; David Lean)
\nThe Battle of Algiers<\/em> (1965; Gillo Pontecorvo)
\nThe Sound of Music<\/em> (1965; Robert Wise)
\nAlphaville<\/a><\/em> (1965; Jean-Luc Godard)
\nRepulsion<\/em> (1965; Roman Polanski)
\nJuliet of the Spirits<\/em> (1965; Federico Fellini)
\nPierrot le fou<\/em> (1965; Jean-Luc Godard)
\nFaster, Pussycat! Kill! Kill!<\/em> (1965; Russ Meyer)
\nBlowup<\/em> (1966; Michelangelo Antonioni)
\nThe Good, the Bad, and the Ugly<\/em> (1966; Sergio Leone)
\nDaisies<\/em> (1966; Vera Chytilová)
\nSeconds<\/em> (1966; John Frankenheimer)
\nPersona<\/em> (1966; Ingmar Bergman)
\nMasculin, Féminin<\/a><\/em> (1966; Jean-Luc Godard)
\nIn the Heat of the Night<\/em> (1967; Norman Jewison)
\nTwo or Three Things I Know About Her<\/em> (1967; Jean-Luc Godard)
\nThe Jungle Book<\/em> (1967; Wolfgang Reitherman)
\nThe Graduate<\/em> (1967; Mike Nichols)
\nPlaytime<\/em> (1967; Jacques Tati)
\nBelle de jour<\/em> (1967; Luis Buñuel)
\nThe Young Girls of Rochefort<\/em> (1967; Jacques Demy)
\nWeek End<\/a><\/em> (1967; Jean-Luc Godard)
\nLe Samouraï<\/em> (1967; Jean-Pierre Melville)
\nPoint Blank<\/em> (1967; John Boorman)
\nBonnie & Clyde<\/em> (1967; Arthur Penn)
\nClosely Watched Trains<\/em> (1967; Jiré Menzel)
\nOnce Upon a Time in the West<\/em> (1968; Sergio Leone)
\nPlanet of the Apes<\/em> (1968; Franklin J. Schaffner)
\nRosemary’s Baby<\/em> (1968; Roman Polanski)
\nThe Producers<\/em> (1968; Mel Brooks)
\n2001: A Space Odyssey<\/em> (1968; Stanley Kubrick)
\nTargets<\/em> (1968; Peter Bogdanovich)
\nNight of the Living Dead<\/em> (1968; George A. Romero)
\nMy Night with Maud<\/em> (1969; Eric Rohmer)
\nButch Cassidy and the Sundance Kid<\/em> (1969; George Roy Hill)
\nMidnight Cowboy<\/em> (1969; John Schlesinger)
\nZ<\/em> (1969; Costa-Gavras)
\nEasy Rider<\/a><\/em> (1969; Dennis Hopper)
\nThe Wild Bunch<\/em> (1969; Sam Peckinpah)<\/p>\n

1970-1979<\/h4>\n

Five Easy Pieces<\/em> (1970; Bob Rafaelson)
\nWoodstock<\/em> (1970; Michael Wadleigh)
\nPatton<\/em> (1970; Franklin J. Schaffner)
\nM*A*S*H<\/em> (1970; Robert Altman)
\nThe Garden of the Finzi-Continis<\/em> (1970; Vittorio de Sica)
\nA Clockwork Orange<\/em> (1971; Stanley Kubrick)
\nWilly Wonka and the Chocolate Factory<\/em> (1971; Mel Stuart)
\nMcCabe and Mrs. Miller<\/em> (1971; Robert Altman)
\nKlute<\/em> (1971; Alan J. Pakula)
\nHarold and Maude<\/em> (1971; Hal Ashby)
\nThe French Connection<\/em> (1971; William Friedkin)
\nShaft<\/em> (1971; Gordon Parks)
\nDirty Harry<\/em> (1971; Don Siegel)
\nThe Last Picture Show<\/em> (1971; Peter Bogdanovich)
\nTwo-Lane Blacktop<\/a><\/em> (1971; Monte Hellman)
\nAguirre, the Wrath of God<\/a><\/em> (1972; Werner Herzog)
\nCabaret<\/em> (1972; Bob Fosse)
\nSleuth<\/em> (1972; Joseph L. Mankiewicz)
\nThe Godfather<\/em> (1972; Francis Ford Coppola)
\nThe Discreet Charm of the Bourgeoisie<\/em> (1972; Luis Buñuel)
\nFrenzy<\/em> (1972; Alfred Hitchcock)
\nThe Sting<\/em> (1973; George Roy Hill)
\nBadlands<\/em> (1973; Terrence Malick)
\nAmerican Graffiti<\/em> (1973; George Lucas)
\nPapillon<\/em> (1973; Franklin J. Schaffner)
\nMean Streets<\/em> (1973; Martin Scorsese)
\nThe Long Goodbye<\/em> (1973; Robert Altman)
\nDay for Night<\/em> (1973; François Truffaut)
\nDon’t Look Now<\/em> (1973; Nicolas Roeg)
\nSleeper<\/em> (1973; Woody Allen)
\nThe Exorcist<\/em> (1973; William Friedkin)
\nThe Spirit of the Beehive<\/em> (1973; Victor Erice)
\nFantastic Planet<\/em> (1973; René Laloux)
\nAmarcord<\/em> (1973; Federico Fellini)
\nThe Wicker Man<\/em> (1973; Robin Hardy)
\nThe Conversation<\/em> (1974; Francis Ford Coppola)
\nA Woman Under the Influence<\/em> (1974; John Cassavettes)
\nYoung Frankenstein<\/em> (1974; Mel Brooks)
\nChinatown<\/em> (1974; Roman Polanski)
\nCeline and Julie Go Boating<\/a><\/em> (1974; Jacques Rivette)
\nBlazing Saddles<\/em> (1974; Mel Brooks)
\nThe Godfather Part II<\/em> (1974; Francis Ford Coppola)
\nDog Day Afternoon<\/em> (1975; Sidney Lumet)
\nOne Flew Over the Cuckoo’s Nest<\/a><\/em> (1975; Milos Forman)
\nJeanne Dielman, 23 Quai du commerce, 1080 Bruxelles<\/em> (1975; Chantal Ackerman)
\nThe Rocky Horror Picture Show<\/em> (1975; Jim Sharman)
\nMonty Python and the Holy Grail<\/em> (1975; Terry Gilliam & Terry Jones)
\nPicinc at Hanging Rock<\/em> (1975; Peter Weir)
\nNashville<\/em> (1975; Robert Altman)
\nCarrie<\/em> (1976; Brian DePalma)
\nStar Wars<\/em> (1977; George Lucas)
\nClose Encounters of the Third Kind<\/em> (1977; Steven Spielberg)
\nJaws<\/em> (1975; Steven Spielberg)
\nAll the President’s Men<\/a><\/em> (1976; Alan J. Pakula)
\nRocky<\/em> (1976; John G. Avildsen)
\nTaxi Driver<\/a><\/em> (1976; Martin Scorsese)
\nNetwork<\/em> (1976; Sidney Lumet)
\nAnnie Hall<\/em> (1977; Woody Allen)
\nSuspiria<\/em> (1977; Dario Argento)
\nGrease<\/em> (1978; Randal Kleiser)
\nHalloween<\/em> (1978; John Carpenter)
\nAlien<\/em> (1979; Ridley Scott)
\nAll That Jazz<\/a><\/em> (1979; Bob Fosse)
\nKramer vs. Kramer<\/em> (1979; Robert Benton)
\nLife of Brian<\/em> (1979; Terry Jones)
\nThe Jerk<\/em> (1979; Carl Reiner)
\nThe Muppet Movie<\/em> (1979; James Frawley)
\nManhattan<\/em> (1979; Woody Allen)
\nMad Max<\/em> (1979; George Miller)
\nApocalypse Now<\/em> (1979; Francis Ford Coppola)<\/p>\n

1980-1989<\/h4>\n

The Shining<\/a><\/em> (1980; Stanley Kubrick)
\nThe Empire Strikes Back<\/em> (1980; Irvin Kershner)
\nThe Elephant Man<\/em> (1980; David Lynch)
\nAirplane!<\/em> (1980; Jim Abrahams, David Zucker & Jerry Zucker)
\nRaging Bull<\/em> (1980; Martin Scorsese)
\nRaiders of the Lost Ark<\/em> (1981; Steven Spielberg)
\nGallipoli<\/em> (1981; Peter Weir)
\nChariots of Fire<\/em> (1981; Hugh Hudson)
\nBody Heat<\/a><\/em> (1981; Lawrence Kasdan)
\nAn American Werewolf in London<\/em> (1981; John Landis)
\nE.T.: The Extra-Terrestrial<\/em> (1982; Steven Spielberg)
\nThe Thing<\/a><\/em> (1982; John Carpenter)
\nBlade Runner<\/em> (1982; Ridley Scott)
\nThe Evil Dead<\/em> (1982; Sam Raimi)
\nTootsie<\/em> (1982; Sydney Pollack)
\nGandhi<\/em> (1982; Richard Attenborough)
\nA Christmas Story<\/em> (1983; Bob Clark)
\nReturn of the Jedi<\/em> (1983; Richard Marquand)
\nKoyaanisqatsi<\/em> (1983; Godfrey Reggio)
\nAmadeus<\/em> (1984; Milos Forman)
\nThe Terminator<\/em> (1984; James Cameron)
\nA Nightmare on Elm Street<\/em> (1984; Wes Craven)
\nThis is Spïnal Tap<\/em> (1984; Rob Reiner)
\nGhostbusters<\/em> (1984; Ivan Reitman)
\nThe Breakfast Club<\/em> (1985; John Hughes)
\nRan<\/em> (1985; Akira Kurosawa)
\nOut of Africa<\/em> (1985; Sydney Pollack)
\nThe Purple Rose of Cairo<\/em> (1985; Woody Allen)
\nBack to the Future<\/em> (1985; Robert Zemeckis)
\nBrazil<\/em> (1985; Terry Gilliam)
\nVagabond<\/em> (1985; Agnès Varda)
\nThe Color Purple<\/a><\/em> (1985; Steven Spielberg)
\nBlue Velvet<\/em> (1986; David Lynch)
\nHannah and Her Sisters<\/a><\/em> (1986; Woody Allen)
\nShe’s Gotta Have It<\/em> (1986; Spike Lee)
\nAliens<\/em> (1986; James Cameron)
\nFerris Bueller’s Day Off<\/em> (1986; John Hughes)
\nA Room With a View<\/em> (1986; James Ivory)
\nTop Gun<\/em> (1986; Tony Scott)
\nWings of Desire<\/em> (1987; Wim Wenders)
\nRaising Arizona<\/em> (1987; Joel Coen)
\nWithnail and I<\/em> (1987; Bruce Robinson)
\nAu revoir, les enfants<\/em> (1987; Louis Malle)
\nThe Princess Bride<\/em> (1987; Rob Reiner)
\nMoonstruck<\/em> (1987; Norman Jewison)
\nThe Untouchables<\/em> (1987; Brian DePalma)
\nBull Durham<\/em> (1988; Ron Shelton)
\nAkira<\/em> (1988; Katushiro Ôtomo)
\nCinema Paradiso<\/em> (1988; Giuseppe Tornatore)
\nA Fish Called Wanda<\/em> (1988; Charles Crichton)
\nBig<\/em> (1988; Penny Marshall)
\nDangerous Liaisons<\/em> (1988; Stephen Frears)
\nGrave of the Fireflies<\/a><\/em> (1988: Isao Takahata)
\nDie Hard<\/em> (1988; John McTiernan)
\nWho Framed Roger Rabbit?<\/em> (1988; Robert Zemeckis)
\nRain Man<\/a><\/em> (1988; Barry Levinson)
\nBatman<\/em> (1989; Tim Burton)
\nWhen Harry Met Sally…<\/em> (1989; Rob Reiner)
\nCrimes and Misdemeanors<\/a><\/em> (1989; Woody Allen)
\nThe Killer<\/em> (1989; John Woo)
\nDo the Right Thing<\/em> (1989; Spike Lee)
\nGlory<\/em> (1989; Edward Zwick)
\nsay anything…<\/em> (1989; Cameron Crowe)<\/p>\n

1990-1999<\/h4>\n

Goodfellas<\/em> (1990; Martin Scorsese)
\nDances with Wolves<\/em> (1990; Kevin Costner)
\nEuropa, Europa<\/em> (1990; Agnieszka Holland)
\nPretty Woman<\/em> (1990; Garry Marshall)
\nEdward Scissorhands<\/em> (1990; Tim Burton)
\nOnce Upon a Time in China<\/em> (1991; Hark Tsui)
\nRaise the Red Lantern<\/em> (1991; Zhang Yimou)
\nNaked Lunch<\/em> (1991; David Cronenberg)
\nThelma and Louise<\/em> (1991; Ridley Scott)
\nTerminator 2: Judgment Day<\/em> (1991; James Cameron)
\nSilence of the Lambs<\/em> (1991; Jonathan Demme)
\nJFK<\/em> (1991; Oliver Stone)
\nSlacker<\/a><\/em> (1991; Richard Linklater)
\nThe Double Life of Veronique<\/a><\/em> (1991; Krzysztof Kiewlowski)
\nStrictly Ballroom<\/em> (1992; Baz Luhrmann)
\nThe Player<\/em> (1992; Robert Altman)
\nReservoir Dogs<\/em> (1992; Quentin Tarantino)
\nGlengarry Glen Ross<\/a><\/em> (1992; James Foley)
\nUnforgiven<\/a><\/em> (1992; Clint Eastwood)
\nThe Crying Game<\/a><\/em> (1992; Neil Jordan)
\nFarewell, My Concubine<\/a><\/em> (1993; Kaige Chen)
\nGroundhog Day<\/em> (1993; Harold Ramis)
\nPhiladelphia<\/em> (1993; Jonathan Demme)
\nJurassic Park<\/em> (1993; Steven Spielberg)
\nBlue<\/a><\/em> (1993; Krzysztof Kieslowski)
\nThe Piano<\/em> (1993; Jane Campion)
\nSchindler’s List<\/em> (1993; Steven Spielberg)
\nThe Adventures of Priscilla, Queen of the Desert<\/a><\/em> (1994; Stephan Elliott)
\nRed<\/a><\/em> (1994; Krzysztof Kieslowski)
\nForrest Gump<\/em> (1994; Robert Zemeckis)
\nThe Lion King<\/em> (1994; Roger Allers & Rob Minkoff)
\nClerks<\/em> (1994; Kevin Smith)
\nFour Weddings and a Funeral<\/em> (1994; Mike Newell)
\nNatural Born Killers<\/em> (1994; Oliver Stone)
\nPulp Fiction<\/em> (1994; Quentin Tarantino)
\nThe Shawshank Redemption<\/em> (1994; Frank Darabont)
\nChungking Express<\/em> (1994; Wong Kar-Wai)
\nBabe<\/em> (1995; Chris Noonan)
\nBraveheart<\/em> (1995; Mel Gibson)
\nClueless<\/em> (1995; Amy Heckerling)
\nToy Story<\/em> (1995; John Lasseter)
\nSe7en<\/em> (1995; David Fincher)
\nDilwale Dulhania le Jayenge<\/em> (1995; Aditya Chopra)
\nThe Usual Suspects<\/em> (1995; Bryan Singer)
\nFargo<\/em> (1996; Joel Coen)
\nIndependence Day<\/em> (1996; Roland Emmerich)
\nTrainspotting<\/em> (1996; Danny Boyle)
\nScream<\/em> (1996; Wes Craven)
\nThe English Patient<\/a><\/em> (1996; Anthony Minghella)
\nPrincess Mononoke<\/em> (1997; Hayao Miyazaki)
\nL.A. Confidential<\/em> (1997; Curtis Hanson)
\nBoogie Nights<\/em> (1997; Paul Thomas Anderson)
\nOpen Your Eyes<\/em> (1997; Alejandro Amenábar)
\nTitanic<\/em> (1997; James Cameron)
\nSaving Private Ryan<\/em> (1998; Steven Spielberg)
\nRushmore<\/a><\/em> (1998; Wes Anderson)
\nRun Lola Run<\/a><\/em> (1998; Tom Tykwer)
\nPi<\/em> (1998; Darren Aronofsky)
\nRingu<\/em> (1998; Hideo Nakata)
\nMagnolia<\/em> (1999; Paul Thomas Anderson)
\nThe Blair Witch Project<\/em> (1999; Daniel Myrick & Eduardo S´nchez)
\nThree Kings<\/a><\/em> (1999; David O. Russell)
\nAll About My Mother<\/a><\/em> (1999; Pedro Almódovar)
\nFight Club<\/em> (1999; David Fincher)
\nBeing John Malkovich<\/em> (1999; Spike Jonze)
\nAmerican Beauty<\/em> (1999; Sam Mendes)
\nThe Matrix<\/em> (1999; Andy & Larry Wachowski)
\nThe Sixth Sense<\/em> (1999; M. Night Shyamalan)<\/p>\n

2000-2007<\/h4>\n

In the Mood for Love<\/em> (2000; Wong Kar-Wai)
\nGladiator<\/em> (2000; Ridley Scott)
\nAmores Perros<\/em> (2000; Alejandro Gonz´lez Iñárritu)
\nCrouching Tiger, Hidden Dragon<\/em> (2000; Ang Lee)
\nTraffic<\/em> (2000; Steven Soderbergh)
\nDancer in the Dark<\/a><\/em> (2000; Lars von Trier)
\nMemento<\/em> (2000; Christopher Nolan)
\nY tu mamá también<\/em> (2001; Alfonso Cuarón)
\nAmélie<\/em> (2001; Jean-Pierre Jenuet)
\nSpirited Away<\/em> (2001; Hayao Myazaki)
\nMoulin Rouge!<\/em> (2001; Baz Lurhmann)
\nMonsoon Wedding<\/em> (2001; Mira Nair)
\nLantana<\/em> (2001; Ray Lawrence)
\nMulholland Drive<\/em> (2001; David Lynch)
\nThe Royal Tenenbaums<\/em> (2001; Wes Anderson)
\nLord of the Rings: The Fellowship of the Ring<\/em> (2001; Peter Jackson)
\nGangs of New York<\/em> (2002; Martin Scorsese)
\nCity of God<\/em> (2002; Fernando Meirelles)
\nHero<\/em> (2002; Zhang Yimou)
\nTalk to Her<\/a><\/em> (2002; Pedro Almódovar)
\nRussian Ark<\/a><\/em> (2002; Aleksandr Sukurov)
\nLord of the Rings: The Two Towers<\/em> (2002; Peter Jackson)
\nOldboy<\/a><\/em> (2003; Chan-wook Park)
\nKill Bill, Vol. 1<\/em> (2003; Quentin Tarantino)
\nGoodbye, Lenin!<\/em> (2003; Wolfgang Becker)
\nLord of the Rings: Return of the King<\/em> (2003; Peter Jackson)
\nPassion of the Christ<\/em> (2004; Mel Gibson)
\nCollateral<\/em> (2004; Michael Mann)
\nThe Aviator<\/em> (2004; Martin Scorsese)
\nMillion Dollar Baby<\/em> (2004; Clint Eastwood)
\nSideways<\/em> (2004; Alexander Payne)
\nDownfall<\/em> (2004; Oliver Hirschbiegel)
\nCrash<\/em> (2004; Paul Haggis)
\nBrokeback Mountain<\/em> (2005; Ang Lee)
\nThe Host<\/em> (2006; Bong Joon-ho)
\nThe Queen<\/em> (2006; Steven Frears)
\nOnce<\/em> (2006; John Carney)
\nThe Lives of Others<\/em> (2006; Florian Hinckel von Donnersmarck)
\nBorat<\/em> (2006; Larry Charles)
\nPan’s Labyrinth<\/em> (2006; Guillermo del Toro)
\nThe Departed<\/em> (2006; Martin Scorsese)
\nLittle Miss Sunshine<\/em> (2006; Jonathan Dayton\/Valerie Faris)
\nAtonement<\/em> (2007; Joe Wright)
\nInto the Wild<\/em> (2007; Sean Penn)
\nNo Country for Old Men<\/em> (2007; Joel & Ethan Coen)
\nThe Diving Bell and the Butterfly<\/em> (2007; Julian Schnabel)
\nThere Will Be Blood<\/em> (2007; Paul Thomas Anderson)<\/p>\n","protected":false},"excerpt":{"rendered":"

Source: 1001 Films You Must See Before You Die, edited by Steven Schneider Up to date from source: 2007 Up to date per my viewing: October 28, 2011. Yet to See 1900-1929 Les Vampires (1915; Louis Feuillade) Within Our Gates (1920; Oscar Micheaux) The Phantom Carriage (1921; Victor Sjöström) Orphans of the Storm (1921; D.W.  [ Read More ]<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":20522,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/testing.the-frame.com\/index.php?rest_route=\/wp\/v2\/pages\/28661"}],"collection":[{"href":"http:\/\/testing.the-frame.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/testing.the-frame.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/testing.the-frame.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/testing.the-frame.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=28661"}],"version-history":[{"count":0,"href":"http:\/\/testing.the-frame.com\/index.php?rest_route=\/wp\/v2\/pages\/28661\/revisions"}],"up":[{"embeddable":true,"href":"http:\/\/testing.the-frame.com\/index.php?rest_route=\/wp\/v2\/pages\/20522"}],"wp:attachment":[{"href":"http:\/\/testing.the-frame.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=28661"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}