{"id":28666,"date":"2011-10-10T15:11:29","date_gmt":"2011-10-10T22:11:29","guid":{"rendered":"http:\/\/www.the-frame.com\/?page_id=28666"},"modified":"2011-10-10T15:11:29","modified_gmt":"2011-10-10T22:11:29","slug":"roger-eberts-the-great-movies","status":"publish","type":"page","link":"http:\/\/testing.the-frame.com\/?page_id=28666","title":{"rendered":"Roger Ebert’s The Great Movies"},"content":{"rendered":"

Source:<\/b> Roger Ebert<\/a>
\nUpdated from source: October 11, 2011.
\nUpdated per my viewing: October 10, 2011.<\/p>\n

Yet to See<\/h3>\n

After Dark, My Sweet<\/em> (1990; James Foley)
\nAli: Fear Eats the Soul<\/em> (1973; Rainer Werner Fassbinder)
\nThe Apu Trilogy<\/em> (1959; Satyajit Ray)
\nArmy of Shadows<\/em> (1969; Jean-Pierre Melville)
\nAtlantic City<\/em> (1980; Louis Malle)
\nAu hasard Balthazar<\/em> (1966; Robert Bresson)
\nAn Autumn Afternoon<\/em> (1962)
\nBaraka<\/em> (1992)
\nBarry Lyndon<\/em> (1975; Stanley Kubrick)
\nBeing There<\/em> (1979; Hal Ashby)
\nLa Belle Noiseuse<\/em> (1991; Jacques Rivette)
\nThe Big Red One<\/em> (1980; Samuel Fuller)
\nThe Blue Kite<\/em> (1993; Zhuangzhuang Tian)
\nBring Me the Head of Alfredo Garcia<\/em> (1974; Sam Peckinpah)
\nCabiria<\/em> (1914; Giovanni Pastrone)
\nChimes at Midnight<\/em> (1965; Orson Welles)
\nChop Shop<\/em> (2007; Ramin Bahrani)
\nCome and See<\/em> (1985)
\nCool Hand Luke<\/em> (1967; Arthur Kennedy)
\nCries and Whispers<\/em> (1972; Ingmar Bergman)
\nCrumb<\/em> (1994; Terry Zwigoff)
\nDays of Heaven<\/em> (1978; Terrence Malick)
\nThe Dead<\/em> (1987; John Huston)
\nThe Decalogue<\/em> (1988; Krzysztof Kieslowski)
\nDiva<\/em> (1981; Jean-Jeacques Beineix)
\nEl Norte<\/em> (1983; Gregory Nava)
\nEl Topo<\/em> (1970; Alejandro Jodorowsky)
\nThe Enigma of Kaspar Hauser<\/em> (1974; Werner Herzog)
\nExotica<\/em> (1994; Atom Egoyan)
\nThe Fall of the House of Usher<\/em> (1928; Jean Epstein)
\nFanny and Alexander<\/em> (1983; Ingmar Bergman)
\nFaust<\/em> (1926; F.W. Murnau)
\nThe Firemen’s Ball<\/em> (1968; Milos Forman)
\nFitzcarraldo<\/em> (1982; Werner Herzog)
\nFloating Weeds<\/em> (1959; Yasujiro Ozu)
\nGates of Heaven<\/em> (1978; Michael Cimino)
\nGreat Expectations<\/em> (1946; David Lean)
\nGreed<\/em> (1923; Erich von Stroheim)
\nThe Grey Zone<\/em> (2001)
\nThe Hairdresser’s Husband<\/em> (1990)
\nHeart of Glass<\/em> (1976)
\nHoop Dreams<\/em> (1994; Steve James)
\nIn Cold Blood<\/em> (1967)
\nKiller of Sheep<\/em> (1977; Charles Burnett)
\nL’Atalante<\/em> (1934; Jean Vigo)
\nThe Last Laugh<\/em> (1924; F.W. Murnau)
\nLast Tango in Paris<\/em> (1972; Bernardo Bertolucci)
\nLate Spring<\/em> (1972; Yasujiro Ozu)
\nThe Butcher<\/em> (2003)
\nLeaving Las Vegas<\/em> (1995)
\nLeolo<\/em> (1993)
\nLeon Morin, Priest<\/em> (1961; Jean-Pierre Melville)
\nThe Leopard<\/em> (1963; Luchino Visconti)
\nThe Life and Death of Colonel Blimp<\/em> (1943; Michael Powell & Emeric Pressburger)
\nThe River (Le Fleuve)<\/em> (1951)
\nMake Way for Tomorrow<\/em> (1937; Leo McCarey)
\nThe Man Who Laughs<\/em> (1928)
\nThe Marriage of Maria Braun<\/em> (1979; Rainer Werner Fassbinder)
\nThe Match Factory Girl<\/em> (1990; Aki Kaurismaki)
\nMephisto<\/em> (1981)
\nMishima: A Life in Four Chapters<\/em> (1985)
\nMon Oncle Antoine<\/em> (1971)
\nMon Oncle d’Amerique<\/em> (1980)
\nMoolaade<\/em> (2007)
\nThe Music Room<\/em> (1958; Satyajit Ray)
\nMy Dinner With Andre<\/em> (1981; Louis Malle)
\nMystery Train<\/em> (1989; Jim Jarmusch)
\nThe Only Son<\/em> (1936)
\nOrdet<\/em> (1955; Carl Theodor Dreyer)
\nPale Flower<\/em> (1964)
\nPandora’s Box<\/em> (1928; G.W. Pabst)
\nParis, Texas<\/em> (1984; Wim Wenders)
\nThe Passion of Joan of Arc<\/em> (1928; Carl Theodor Dreyer)
\nThe Phantom of the Opera<\/em> (1925)
\nPink Floyd: The Wall<\/em> (1982)
\nPixote<\/em> (1981)
\nPlanes, Trains and Automobiles<\/em> (1987)
\nA Prairie Home Companion<\/em> (2006; Robert Altman)
\nRed Beard<\/em> (1965; Akira Kurosawa)
\nRichard III<\/em> (1996)
\nThe Right Stuff<\/em> (1983)
\nRipley’s Game<\/em> (2002)
\nRocco and His Brothers<\/em> (1960; Luchino Visconti)
\nSamurai Rebellion<\/em> (1967)
\nSanta Sangre<\/em> (1989; Alejandro Jodorowsky)
\nSaturday Night Fever<\/em> (1977)
\nScarface<\/em> (1983; Brian DePalma)
\nThe Scarlet Empress<\/em> (1934; Josef von Sternberg)
\nSecrets & Lies<\/em> (1996; Mike Leigh)
\nSenso<\/em> (1954; Luchino Visconti)
\nShoah<\/em> (1985)
\nThe Silence<\/em> (1963; Ingmar Bergman)
\nSolaris<\/em> (1972; Andrei Tarkovsky)
\nSouls for Sale<\/em> (1923; Rupert Hughes)
\nStroszek<\/em> (1977)
\nA Sunday in the Country<\/em> (1984)
\nA Tale of Winter<\/em> (1992)
\nTender Mercies<\/em> (1983)
\nThe Terrorist<\/em> (2000)
\nThe Thief of Bagdad<\/em> (1940; Michael Powell, etc.)
\n3 Women<\/em> (1977)
\nTokyo Story<\/em> (1953; Yasujiro Ozu)
\nUgetsu<\/em> (1953)
\nVengeance is Mine<\/em> (2008)
\nVictim<\/em> (1961)
\nViridiana<\/em> (1961; Luis Buñuel)
\nWalkabout<\/em> (1971; Nicolas Roeg)
\nWoman in the Dunes<\/em> (1964)
\nA Woman’s Tale<\/em> (1982)
\nWR – Mysteries of the Organism<\/em> (1971)
\nA Year of the Quiet Sun<\/em> (1984)<\/p>\n

Seen<\/h3>\n

Ace in the Hole<\/em> (1951; Billy Wilder)
\nAdaptation.<\/em> (2002; Spike Jonze)
\nThe Adventures of Robin Hood<\/em> (1938; Michael Curtiz & William Keighley)
\nAfter Hours<\/em> (1985; Martin Scorsese)
\nThe Age of Innocence<\/em> (1993; Martin Scorsese)
\nAguirre, the Wrath of God<\/em> (1972; Werner Herzog)
\nA.I.: Artificial Intelligence<\/em> (2001; Steven Spielberg)
\nAlien<\/em> (1979; Ridley Scott)
\nAll About Eve<\/em> (1950; Joseph L. Mankiewicz)
\nAmadeus<\/em> (1984; Milos Forman)
\nAmarcord<\/em> (1974; Federico Fellini)
\nAnnie Hall<\/em> (1977; Woody Allen)
\nThe Apartment<\/em> (1960; Billy Wilder)
\nApocalypse Now<\/em> (1979; Francis Ford Coppola)
\nAu revoir, les enfants<\/em> (1987; Louis Malle)
\nBabel<\/em> (2006; Alejandro Gonazalez Iñarrítu)
\nBadlands<\/em> (1973; Terrence Malick)
\nThe Band Wagon<\/em> (1953; Vincente Minnelli)
\nThe Bank Dick<\/em> (1940)
\nThe Battle of Algiers<\/em> (1967)
\nThe Battleship Potemkin<\/em> (1925; Sergei Eisenstein)
\nBeat the Devil<\/em> (1954; John Huston)
\nBeauty and the Beast<\/em> (1946; Jean Cocteau)
\nBelle de Jour<\/em> (1967; Luis Buñuel)
\nThe Best Years of Our Lives<\/em> (1946; William Wyler)
\nBicycle Thieves<\/em> (1949; Vittorio DeSica)
\nThe Big Heat<\/em> (1953; Fritz Lang)
\nThe Big Lebowski<\/em> (1998; Joel & Ethan Coen)
\nThe Big Sleep<\/em> (1946; Howard Hawks)
\nThe Birth of a Nation<\/em> (1915; D.W. Griffith)
\nBlade Runner<\/em> (1982; Ridley Scott)
\nBlow-Up<\/em> (1966; Michelangelo Antonioni)
\nBob le flambeur<\/em> (1955; Jean-Pierre Melville)
\nBody Heat<\/em> (1981; Lawrence Kasdan)
\nBonnie and Clyde<\/em> (1967; Arthur Penn)
\nBreathless<\/em> (1960; Jean-Luc Godard)
\nBride of Frankenstein<\/em> (1935; James Whale)
\nThe Bridge on the River Kwai<\/em> (1957; David Lean)
\nBroken Blossoms<\/em> (1919; D.W. Griffith)
\nThe Cabinet of Dr. Caligari<\/em> (1920; Robert Weine)
\nCaché<\/em> (2005; Michael Haneke)
\nCasablanca<\/em> (1943; Michael Curtiz)
\nCat People<\/em> (1942; Jacques Tourneur)
\nChildren of Paradise<\/em> (1945; Marcel Carne)
\nChinatown<\/em> (1974; Roman Polanski)
\nA Christmas Story<\/em> (1983)
\nDuck Amuck<\/em> (1953; Chuck Jones)
\nOne Froggy Evening<\/em> (1955; Chuck Jones)
\nWhat’s Opera, Doc?<\/em> (1957; Chuck Jones)
\nThe Circus<\/em> (1928; Charles Chaplin)
\nCitizen Kane<\/em> (1941; Orson Welles)
\nCity Lights<\/em> (1931; Charles Chaplin)
\nThe Color Purple<\/em> (1985; Steven Spielberg)
\nThe Conversation<\/em> (1974; Francis Ford Coppola)
\nCrimes and Misdemeanors<\/em> (1989; Woody Allen)<\/s\nDark City<\/em> (1998; Alex Proyas)
\nDay for Night<\/em> (1973; François Truffaut)
\nDetour<\/em> (1945; Edgar G. Ulmer)
\nDiary of a Country Priest<\/em> (1945; Robert Bresson)
\nThe Discreet Charm of the Bourgeoisie<\/em> (1972; Luis Buñuel)
\nDo the Right Thing<\/em> (1989; Spike Lee)
\nDog Day Afternoon<\/em> (1975; Sidney Lumet)
\nDon’t Look Now<\/em> (1974; Nicolas Roeg)
\nDouble Indemnity<\/em> (1944; Billy Wilder)
\nThe Double Life of Veronique<\/em> (1991; Krzysztof Kieslowski)
\nDr. Strangelove<\/em> (1964; Stanley Kubrick)
\nDracula<\/em> (1931)
\nDuck Soup<\/em> (1933)
\nE.T.: The Extra-Terrestrial<\/em> (1982; Steven Spielberg)
\nThe Earrings of Madame de…<\/em> (1953; Max Ophüls)
\nEasy Rider<\/em> (1969; Dennis Hopper)
\n8 1\/2<\/em> (1963; Federico Fellini)
\nEternal Sunshine of the Spotless Mind<\/em> (2004; Michel Gondry)
\nThe Exterminating Angel<\/em> (1962; Luis Buñuel)
\nFargo<\/em> (1995; Joel & Ethan Coen)
\nFive Easy Pieces<\/em> (1970; Bob Rafaelson)
\nForbidden Games<\/em> (1952; Rene Clement)
\nThe 400 Blows<\/em> (1959; François Truffaut)
\nThe General<\/em> (1927; Buster Keaton)
\nThe Godfather<\/em> (1972; Francis Ford Coppola)
\nThe Godfather, Part II<\/em> (1974; Francis Ford Coppola)
\nGoldfinger<\/em> (1964)
\nGone With the Wind<\/em> (1939; Victor Fleming)
\nThe Good, the Bad and the Ugly<\/em> (1966; Sergio Leone)
\nGoodFellas<\/em> (1990; Martin Scorsese)
\nGospel According to St. Matthew<\/em> (1964; Pier Paolo Pasolini)
\nGrand Illusion<\/em> (1937; Jean Renoir)
\nThe Grapes of Wrath<\/em> (1940; John Ford)
\nGrave of the Fireflies<\/em> (1988)
\nThe Great Dictator<\/em> (1940; Charlie Chaplin)
\nGroundhog Day<\/em> (1993)
\nA Hard Day’s Night<\/em> (1964; Richard Lester)
\nHouse of Games<\/em> (1987; David Mamet)
\nHowards End<\/em> (1992; James Ivory)
\nThe Hustler<\/em> (1961)
\nIkiru<\/em> (1952; Akira Kurosawa)
\nIn a Lonely Place<\/em> (1950; Nicholas Ray)
\nInherit the Wind<\/em> (1960; Stanley Kramer)
\nIt’s a Wonderful Life<\/em> (1946; Frank Capra)
\nJaws<\/em> (1975; Steven Spielberg)
\nJFK<\/em> (1991; Oliver Stone)
\nJohnny Guitar<\/em> (1954; Nicholas Ray)
\nJules and Jim<\/em> (1961; François Truffaut)
\nJuliet of the Spirits<\/em> (1965; Federico Fellini)
\nKind Hearts and Coronets<\/em> (1949)
\nKing Kong<\/em> (1933; Merian C. Cooper)
\nL’Avventura<\/em> (1960; Michelangelo Antonioni)
\nL.A. Confidential<\/em> (1997; Curtis Hanson)
\nLa Dolce Vita<\/em> (1960; Federico Fellini)
\nThe Lady Eve<\/em> (1941; Preston Sturges)
\nThe Last Picture Show<\/em> (1971; Peter Bogdanovich)
\nThe Last Temptation of Christ<\/em> (1988; Martin Scorsese)
\nLast Year at Marienbad<\/em> (1961; Alain Resnais)
\nLaura<\/em> (1944; Otto Preminger)
\nLawrence of Arabia<\/em> (1962; David Lean)
\nLe Samouraï<\/em> (1967; Jean-Pierre Melville)
\nThe Long Goodbye<\/em> (1973; Robert Altman)
\nLost in Translation<\/em> (2003; Sofia Coppola)
\nM<\/em> (1931; Fritz Lang)
\nMagnolia<\/em> (1999; Paul Thomas Anderson)
\nThe Maltese Falcon<\/em> (1941; John Huston)
\nMan With a Movie Camera<\/em> (1929; Dziga Vertov)
\nThe Manchurian Candidate<\/em> (1962; John Frankenheimer)
\nManhattan<\/em> (1979; Woody Allen)
\nMcCabe & Mrs. Miller<\/em> (1971; Robert Altman)
\nMean Streets<\/em> (1973; Martin Scorsese)
\nMetropolis<\/em> (1926; Fritz Lang)
\nMon Oncle<\/em> (1958; Jacques Tati)
\nMoonstruck<\/em> (1987)
\nMr. Hulot’s Holiday<\/em> (1953; Jacques Tati)
\nMy Darling Clementine<\/em> (1946; John Ford)
\nMy Fair Lady<\/em> (1964; George Cukor)
\nMy Man Godfrey<\/em> (1936; Gregory LaCava)
\nMy Neighbor Totoro<\/em> (1993; Hayao Miyazaki)
\nNanook of the North<\/em> (1922; Robert Flaherty)
\nNashville<\/em> (1975; Robert Altman)
\nNetwork<\/em> (1976; Sidney Lumet)
\nNight Moves<\/em> (1975; Arthur Penn)
\nThe Night of the Hunter<\/em> (1955; Charles Laughton)
\nNights of Cabiria<\/em> (1957; Federico Fellini)
\nNosferatu<\/em> (1922; F.W. Murnau)
\nNotorious<\/em> (1946; Alfred Hitchcock)
\nOn the Waterfront<\/em> (1954; Elia Kazan)
\nOne Flew Over the Cuckoo’s Nest<\/em> (1975; Milos Forman)
\nOrpheus<\/em> (1949; Jean Cocteau)
\nOut of the Past<\/em> (1947; Jacques Tourneur)
\nPan’s Labyrinth<\/em> (2005; Guillermo Del Toro)
\nPaths of Glory<\/em> (1957; Stanley Kubrick)
\nPatton<\/em> (1970; Franklin J. Schaffner)
\nPeeping Tom<\/em> (1960; Michael Powell)
\nPersona<\/em> (1966; Ingmar Bergman)
\nPickpocket<\/em> (1959; Robert Bresson)
\nPicnic at Hanging Rock<\/em> (1975; Peter Weir)
\nPinocchio<\/em> (1940; Wolfgang Reitherman)
\nPlaytime<\/em> (1967; Jacques Tati)
\nThe Producers<\/em> (1968; Mel Brooks)
\nPsycho<\/em> (1960; Alfred Hitchcock)
\nPulp Fiction<\/em> (1994; Quentin Tarantino)
\nRaging Bull<\/em> (1980; Martin Scorsese)
\nRaiders of the Lost Ark<\/em> (1981; Steven Spielberg)
\nRaise the Red Lantern<\/em> (1990; Zhang Yimou)
\nRan<\/em> (1985; Akira Kurosawa)
\nRashomon<\/em> (1950; Akira Kurosawa)
\nRear Window<\/em> (1954; Alfred Hitchcock)
\nRebel Without a Cause<\/em> (1955; Nicholas Ray)
\nRed River<\/em> (1948; Howard Hawks)
\nThe Red Shoes<\/em> (1948; Michael Powell and Emeric Pressburger)
\nRififi<\/em> (1954; Jules Dassin)
\nRio Bravo<\/em> (1959; Howard Hawks)
\nRomeo and Juliet<\/em> (1968; Franco Zefferelli)
\nThe Rules of the Game<\/em> (1939; Jean Renoir)
\nSafety Last<\/em> (1923 Harold Lloyd)
\nSansho the Bailiff<\/em> (1954; Kenji Mizoguchi)
\nSay Anything<\/em> (1989; Cameron Crowe)
\nSchindler’s List<\/em> (1993; Steven Spielberg)
\nThe Searchers<\/em> (1956; John Ford)
\nSe7en<\/em> (1995; David Fincher)
\nThe Seven Samurai<\/em> (1954; Akira Kurosawa)
\nThe Seventh Seal<\/em> (1957; Ingmar Bergman)
\nShane<\/em> (1954; George Stevens)
\nSpring, Summer, Fall, Winter…and Spring<\/em>
\nThe Shawshank Redemption<\/em> (1994; Frank Darabont)
\nThe Shining<\/em> (1980; Stanley Kubrick)
\nThe Silence of the Lambs<\/em> (1991; Jonathan Demme)
\nSingin’ in the Rain<\/em> (1952; Stanley Donen and Gene Kelly)
\nSnow White and the Seven Dwarfs<\/em> (1937)
\nSome Like It Hot<\/em> (1959; Billy Wilder)
\nStagecoach<\/em> (1939; John Ford)
\nStar Wars<\/em> (1977; George Lucas)
\nStrangers on a Train<\/em> (1951; Alfred Hitchcock)
\nSunrise: A Song of Two Humans<\/em> (1928; F.W. Murnau)
\nSunset Boulevard<\/em> (1950; Billy Wilder)
\nSuperman<\/em> (1978; Richard Donner)
\nThe Sweet Smell of Success<\/em> (1957; Alexander MacKendrick)
\nSwing Time<\/em> (1936; George Stevens)
\nTaxi Driver<\/em> (1976; Martin Scorsese)
\nThe Thin Man<\/em> (1934; W.S. Van Dyke)
\nThe Third Man<\/em> (1949; Carol Reed)
\nThis is Spinal Tap<\/em> (1984; Rob Reiner)
\nThree Colors: Blue<\/em> (1993; Krzysztof Kieslowski)
\nThree Colors: White<\/em> (1994; Krzysztof Kieslowski)
\nThree Colors: Red<\/em> (1994; Krzysztof Kieslowski)
\nThrough a Glass Darkly<\/em> (1961; Ingmar Bergman)
\nTop Hat<\/em> (1935; Mark Sandrich)
\nTouch of Evil<\/em> (1958; Orson Welles)
\nTouchez pas au grisbi<\/em> (1954; Jacques Becker)
\nThe Treasure of the Sierra Madre<\/em> (1948; John Huston)
\nTriumph of the Will<\/em> (1935; Leni Reifenstahl)
\nTrouble in Paradise<\/em> (1932; Ernst Lubitsch)
\n12 Angry Men<\/em> (1957; Sidney Lumet)
\nThe 25th Hour<\/em> (2002; Spike Lee)
\n2001: A Space Odyssey<\/em> (1968; Stanley Kubrick)
\nUmberto D<\/em> (1952; Vittorio DeSica)
\nUn chien andalou<\/em> (1928; Luis Buñuel)
\nUnforgiven<\/em> (1992; Clint Eastwood)
\nThe Up Series<\/em> (1964-current; Michael Apted)
\nVertigo<\/em> (1958; Alfred Hitchcock)
\nVivre sa vie<\/em> (1962; Jean-Luc Godard)
\nWaking Life<\/em> (2001; Richard Linklater)
\nWerckmeister Harmonies<\/em> (2000; Béla Tarr)
\nWest Side Story<\/em> (1961; Robert Wise and Jerome Robbins)
\nWhat Ever Happened to Baby Jane?<\/em> (1962; Robert Aldrich)
\nThe Wild Bunch<\/em> (1969; Sam Peckinpah)
\nWings of Desire<\/em> (1988; Wim Wenders)
\nWinter Light<\/em> (1962; Ingmar Bergman)
\nWithnail & I<\/em> (1987)
\nThe Wizard and Oz<\/em> (1939; Victor Fleming)
\nA Woman Under the Influence<\/em> (1974; John Cassavetes)
\nWoodstock<\/em> (1970; Michael Wadleigh)
\nWritten on the Wind<\/em> (1956; Douglas Sirk)
\nYankee Doodle Dandy<\/em> (1942; Michael Curtiz)
\nYellow Submarine<\/em> (1968)
\nYojimbo<\/em> (1961; Akira Kurosawa)<\/p>\n","protected":false},"excerpt":{"rendered":"

Source: Roger Ebert Updated from source: October 11, 2011. Updated per my viewing: October 10, 2011. Yet to See After Dark, My Sweet (1990; James Foley) Ali: Fear Eats the Soul (1973; Rainer Werner Fassbinder) The Apu Trilogy (1959; Satyajit Ray) Army of Shadows (1969; Jean-Pierre Melville) Atlantic City (1980; Louis Malle) Au hasard Balthazar  [ Read More ]<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":20522,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/testing.the-frame.com\/index.php?rest_route=\/wp\/v2\/pages\/28666"}],"collection":[{"href":"http:\/\/testing.the-frame.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/testing.the-frame.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/testing.the-frame.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/testing.the-frame.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=28666"}],"version-history":[{"count":0,"href":"http:\/\/testing.the-frame.com\/index.php?rest_route=\/wp\/v2\/pages\/28666\/revisions"}],"up":[{"embeddable":true,"href":"http:\/\/testing.the-frame.com\/index.php?rest_route=\/wp\/v2\/pages\/20522"}],"wp:attachment":[{"href":"http:\/\/testing.the-frame.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=28666"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}