![\"\"](\"http:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2012\/04\/They-Live.jpg\" "\\"They-Live\\"")
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8:00pm – IFC – Moulin Rouge!<\/b> 10:45pm – IFC – Night of the Living Dead<\/b> 12:45am (1st) – IFC – Evil Dead 2<\/b> 6:30am – IFC – Caché<\/b> 9:30am – Sundance – Encounters at the End of the World<\/b> 5:00pm – TCM – My Fair Lady<\/b> 8:00pm – IFC – The Thin Red Line<\/b> 8:00pm – TCM – Sullivan’s Travels<\/b> 9:45pm – TCM – The Palm Beach Story<\/b> 11:30pm – TCM – The More the Merrier<\/b> 9:45am – IFC – Away from Her<\/b> 8:00pm – TCM – In Cold Blood<\/b> 7:45am – TCM – The Ladykillers<\/b> 9:30am – TCM – The Lavender Hill Mob<\/b> 6:00pm – TCM – Wait Until Dark<\/b> 8:00pm – IFC – The Prestige<\/b> 8:00pm – TCM – The Three Faces of Eve<\/b> 9:45pm – TCM – 12 Angry Men<\/b> 2:00am (5th) – TCM – They Live<\/b> 6:00am – TCM – The Thief of Bagdad<\/b> 6:00am – Sundance – Grizzly Man<\/b> 5:00pm – TCM – The Bridge on the River Kwai<\/b> 8:00pm – IFC – Training Day<\/b> 12:00M – TCM – Written on the Wind<\/b> 2:00pm – TCM – Jane Eyre<\/b> 6:00pm – TCM – Marty<\/b> 8:00pm – IFC – Fight Club<\/b> 8:00pm – Sundance – Thank You For Smoking<\/b> Monday, April 30 8:00pm – IFC – Moulin Rouge! Baz Lurhmann admittedly has a love-it-or-hate-it flamboyantly trippy aesthetic, especially in the informal Red Curtain trilogy which Moulin Rogue! closes. And sure, it\u2019s over the top; sure, the story is fairly routine; sure, the acting is so-so. I love it to pieces anyway. 2001 USA. Director: [ Read More ]<\/a><\/p>\n","protected":false},"author":2,"featured_media":31327,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[13,196],"tags":[],"_links":{"self":[{"href":"http:\/\/testing.the-frame.com\/index.php?rest_route=\/wp\/v2\/posts\/31326"}],"collection":[{"href":"http:\/\/testing.the-frame.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/testing.the-frame.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/testing.the-frame.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/testing.the-frame.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=31326"}],"version-history":[{"count":0,"href":"http:\/\/testing.the-frame.com\/index.php?rest_route=\/wp\/v2\/posts\/31326\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/testing.the-frame.com\/index.php?rest_route=\/wp\/v2\/media\/31327"}],"wp:attachment":[{"href":"http:\/\/testing.the-frame.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=31326"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/testing.the-frame.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=31326"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/testing.the-frame.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=31326"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nBaz Lurhmann admittedly has a love-it-or-hate-it flamboyantly trippy aesthetic, especially in the informal Red Curtain trilogy which Moulin Rogue!<\/em> closes. And sure, it\u2019s over the top; sure, the story is fairly routine; sure, the acting is so-so. I love it to pieces anyway.
\n2001 USA. Director: Baz Lurhmann. Starring: Nicole Kidman, Ewan McGregor, Jim Broadbent, John Leguizamo.<\/em><\/small><\/p>\n
\nZombie movies can be conveniently subcategorized into pre-Romero and post-Romero, so influential has this film been. Eschewing voodoo and zombie masters, Romero posited a zombie created by our own nuclear follies and motivated by nothing more than insatiable hunger. More than that, the layer of social commentary makes Night of the Living Dead<\/em> far more than the B-movie schlocker it seems like on the surface. It changed zombie films, and probably horror films in general to an extent, forever.
\n1968 USA. Director: George A. Romero. Starring: Duane Jones, Judith O\u2019Dea, Karl Hardman, Marilyn Eastman.<\/em><\/small>
\n(repeats at 2:30am on the 1st)<\/p>\n
\nThe sequel\/remake to Sam Raimi’s wonderfully over-the-top demon book film, set in the same creepy wood-bound cabin, with even more copious amounts of blood and a lot more intentional humor. I’m still not sure which I like best, but either one will do when you need some good schlock. (I still haven’t seen Army of Darkness<\/em>, I’m shamed to admit.)
\n1987 USA. Director: Sam Raimi. Starring: Bruce Campbell, Sarah Berry, Dan Hicks.<\/em><\/small><\/p>\nTuesday, May 1<\/h3>\n
\nVery deliberate but intensely thought-provoking film from director Michael Haneke, delving into issues from privacy and surveillance to war guilt and revenge. It\u2019s a difficult film, and one that stretches the limits of the suspense thriller, but if you\u2019re willing to go along with it, it\u2019s well worthwhile.
\n2005 France. Director: Michael Haneke. Starring: Daniel Auteuil, Juliette Binoche, Maurice Bénichou.<\/em><\/small>
\n(repeats at 12:30pm)<\/p>\nWednesday, May 2<\/h3>\n
\nWerner Herzog has made the savage beauty of nature one of his themes throughout most of his fiction films, so perhaps it\u2019s only natural that he has moved onto explicitly non-fiction explorations of some of nature\u2019s most remote locales, in this case, Antarctica.2007 USA. Director: Werner Herzog.<\/em><\/small>
\n(repeats at 4:15pm)<\/p>\n
\nGeorge Cukor finally won an Oscar in 1964 for this film, a high-quality adaptation of Lerner and Loewe\u2019s musical, itself an adaptation of George Bernard Shaw\u2019s Pygmalion<\/em>, itself based on the Greek story of Svengali and Trilby. Rex Harrison and Audrey Hepburn acquit themselves well as phonetics professor Henry Higgens and street urchin Eliza Doolittle. I guess I just find it a bit overlong and overproduced, as most 1960s musicals were, but I’m in the minority.
\n1964 USA. Director: George Cukor. Starring: Rex Harrison, Audrey Hepburn, Stanley Holloway, Wilfrid Hyde-White.<\/em><\/small><\/p>\n
\nBreaking Terrence Malick\u2019s twenty-year filmmaking silence since 1978\u2032s Days of Heaven, this film applies his contemplative and poetic view of the world to a WWII story. It remains a favorite among Malick fans, and an interesting counterpoint to Spielberg\u2019s action-oriented Saving Private Ryan, released the same year.
\n1998 USA. Director: Terrence Malick. Starring: Sean Penn, Jim Caviezel, Nick Nolte, Elias Koteas, Ben Chaplin.<\/em><\/small>
\n(repeats at 1:45am on the 3rd)<\/p>\n
\nSullivan\u2019s Travels<\/em> is a slightly more serious turn for Preston Sturges, but ultimately upholds his comedic tendencies. Joel McCrea is a filmmaker known for his comedies who decides he wants to make a serious film about the depression; but as a successful Hollywood director, he doesn\u2019t know anything about poverty and the working class, so he embarks on an odyssey to learn about them, picking up waifish Veronica Lake as a traveling companion.
\n1941 USA. Director: Preston Sturges. Starring: Joel McCrea, Veronica Lake.<\/em><\/small>
\nMust See<\/b><\/p>\n
\nSimilar in tone but less consistent than The Lady Eve<\/em>, this Preston Sturges film follows bickering couple Joel McCrea and Claudette Colbert as she leaves him to gold dig for a richer man. He follows her, pretending to be her brother, and they get all entangled with a wealthy brother and sister. The ending is a weak bit of trickery, but there are enough moments of hilarity to make it worth watching.
\n1942 USA. Director: Preston Sturges. Starring: Claudette Colbert, Joel McCrea, Rudy Vallee, Mary Astor.<\/em><\/small><\/p>\n
\nA World War II housing shortage has Charles Coburn, Joel McCrea and Jean Arthur sharing an apartment; soon Coburn is matchmaking for McCrea and Arthur, and we get a wonderful, adorable romance out of it.
\n1943 USA. Director: George Stevens. Starring: Jane Arthur, Joel McCrea, Charles Coburn.<\/em><\/small><\/p>\nThursday, May 3<\/h3>\n
\nA very strong directing debut film from actress Sarah Polley, about an older woman (Julie Christie) suffering from Alzheimer’s and her husband’s difficulty in dealing with essentially the loss of his wife as she has more and more difficulty remembering their life together. It’s a lovely, heartbreaking film, bolstered by great understated performances.
\n2006 Canada. Director: Sarah Polley. Starring: Julie Christie, Gordon Pinsent, Olympia Dukakis, Stacey LaBerge.<\/em><\/small><\/p>\n
\nThe film version of Truman Capote\u2019s chilling retelling of the murders committed by Dick Hickcock and Perry Smith, and their subsequent incarceration and trial.
\n1967 USA. Director: Richard Brooks. Starring: Robert Blake, Scott Wilson, John Forsythe, Paul Stewart.<\/em><\/small><\/p>\nFriday, May 4<\/h3>\n
\nOne of the most delightful of the Ealing comedies, with Alec Guinness leading a bunch of crooks (including a young Peter Sellers) whose bankrobbing plans get flustered by an unlikely old lady.
\n1955 UK. Director: Alexander Mackendrick. Starring: Alec Guinness, Cecil Parker, Herbert Lom, Peter Sellers.<\/em><\/small>
\nMust See<\/b><\/p>\n
\nAlec Guinness leads the Ealing Studios regulars in this delightful heist comedy, one of the greats among a bunch of great late ’40s, early ’50s Ealing films. Also look for a really young Audrey Hepburn in a walk-on (this is her first film, I believe).
\n1951 UK. Director: Charles Crichton. Starring: Alec Guinness, Stanley Holloway, Sid James, Marjorie Fielding.<\/em><\/small><\/p>\n
\nAudrey Hepburn is a blind woman set upon by a trio of home invaders in search of some smuggled heroin they think ended up hidden at her house – an all-around good little thriller, with a fantastic climactic set-piece.
\n1967 USA. Director: Terence Young. Starring: Audrey Hepburn, Alan Arkin, Richard Crenna, Efrem Zimbalist Jr.<\/em><\/small><\/p>\n
\nChristopher Nolan’s Batman Begins<\/em> follow-up, a wonderfully twisty and evocative period thriller about a pair of stage magicians and their potentially deadly rivalry. Some great ideas elevate this far above what you might expect, and solid performances all around carry it through nicely. Definitely deserves mention among the finest thinking-man’s films of the past decade.
\n2006 USA. Director: Christopher Nolan. Starring: Christian Bale, Hugh Jackman, Scarlett Johansson, Rebecca Hall.<\/em><\/small><\/p>\n
\nJoanne Woodward portrays a woman with multiple personalities in an Oscar-winning role; Lee J. Cobb is allowed an uncharacteristically sympathetic role as her doctor (usually he\u2019s the villain, or at least antagonist).
\n1957 USA. Director: Nunnally Johnson. Starring: Joanne Woodward, Lee J. Cobb, David Wayne.<\/em><\/small><\/p>\n
\nA brilliant exercise in minimalist filmmaking; after a brief courtroom scene, twelve jurors discuss the fate of a young man accused of murder. What’s assumed to be a cut-and-dried conviction is contested by Henry Fonda, who isn’t convinced beyond a shadow of a doubt, and slowly works through the evidence to pull the other jurors one by one to his side. The stifling heat, claustrophobic room, prejudices and preconceptions of the jurors, logic and emotions, everything plays into this film, which is much more engaging than it has any right to be.
\n1957 USA. Director: Sidney Lumet. Starring: Henry Fonda, Lee J. Cobb, Jack Klugman, Jack Warden, Martin Balsam, Ed Begley.<\/em><\/small>
\nMust See<\/b><\/p>\n
\n3:45am (5th) – TCM – Escape from New York<\/b>
\nTCM’s hitting some newer classics, bringing out a pair of John Carpenter favorites. They Live<\/em> is one I haven’t seen yet, though I really want to, about a man who finds a pair of sunglasses that when worn, reveal that aliens have taken over the world unbeknownst to anyone else. Sounds just crazy enough to be awesome. And of course, Kurt Russell is on hand to save the President when he crash lands in the high security prison of futuristic Manhattan.
\n1988 USA. Director: John Carpenter. Starring: Roddy Piper, Keith David, Meg Foster.
\n1981 USA. Director: John Carpenter. Starring: Kurt Russell, Lee Van Cleef, Ernest Borgnine.<\/em><\/small>
\nNewly Featured!<\/b><\/p>\nSaturday, May 5<\/h3>\n
\nAn early Michael Powell film (in collaboration with several others), before he teamed up with Emeric Pressburger, but no less an impressive display of stunning Technicolor cinematography on the fantastic Arabian Nights story.
\n1940 UK. Director: Michael Powell, Ludwig Berger. Starring: Sabu, Conrad Veidt, June Duprez.<\/em><\/small><\/p>\n
\nWerner Herzog’s fascination with the duality of nature’s beauty and destructiveness continues into documentary, as he brings the story of grizzly researcher Timothy Treadwell to the screen.
\n2005 USA. Director: Werner Herzog.<\/em><\/small>
\n(repeats at 2:30pm)<\/p>\n
\nBritish prisoners of war are commanded to build a bridge over the River Kwai for their Japanese captors – a task which becomes a source of pride for old-school British commander Alec Guinness. But American William Holden is having none of that and makes it his mission to blow the bridge up. One of the great war films.
\n1957 USA\/UK. Director: David Lean. Starring: Alec Guinness, William Holden, Sessue Hayakawa.<\/em><\/small><\/p>\n
\nA rookie cop heads out with a seasoned detective to learn the ropes, but the experienced cop isn’t exactly on the straight and narrow. Denzel Washington won an Oscar for his portrayal of the volatile detective.
\n2001 USA. Director: Antoine Fuqua. Starring: Denzel Washington, Ethan Hawke, Scott Glenn.<\/em><\/small>
\nNewly Featured!<\/b>
\n(repeats at 10:30pm)<\/p>\n
\nWhenever I\u2019m tempted to use the term \u201cmelodrama\u201d in a derogatory sense, I stop and remind myself of Douglas Sirk, and especially of this film. Taking lush domestic struggles with soap opera potential and making them into stunning films was Sirk\u2019s specialty, and this is one of his best, chock full of alcoholic husbands, love triangles, nymphomaniacs, and class prejudice, but with a heart and sense of tragedy that turns \u201cmelodrama\u201d into a compliment. Add in Sirk\u2019s exquisite eye for composition and a deservedly Oscar-winning supporting turn from Dorothy Malone, and this one isn\u2019t to be missed.
\n1956 USA. Director: Douglas Sirk. Starring: Rock Hudson, Lauren Bacall, Robert Stack, Dorothy Malone, Robert Keith.<\/em><\/small>
\nMust See<\/b><\/p>\nSunday, May 6<\/h3>\n
\nThe definitive classic-era version of Bronte\u2019s gothic novel, with a touch of noirish style to add to the overall moodiness. Joan Fontaine isn\u2019t quite plain enough or fiery enough to be believable as Jane, but Orson Welles (only acting here, not directing) is a fairly imposing Rochester. Also be on the lookout for a very young Elizabeth Taylor in one of her first roles as Jane\u2019s childhood friend Helen Burns.
\n1944 USA. Director: Robert Stevenson. Starring: Joan Fontaine, Orson Welles, Margaret O\u2019Brien, Peggy Ann Garner, John Sutton, Sara Allgood, Henry Daniell, Agnes Moorehead.<\/em><\/small><\/p>\n
\nErnest Borgnine won an Oscar for his role as the schlubby, lonely title character, resigned to being unloved, until he meets a plain schoolteacher whose similar resignedness might make her his perfect match. The idea of having unlovely people in lead roles was a new one in Hollywood in the 1950s, and Marty capitalized on Paddy Chayefsky\u2019s story with great results.
\n1955 USA. Director: Delbert Mann. Starring: Ernest Borgnine, Betsy Blair, Esther Minciotti.<\/em><\/small><\/p>\n
\nThis film is so good on so many different levels, it\u2019s difficult to even know where to start. Masculinity, consumerism, terrorism, black comedy, mindbending narrative\u2026yeah, those are not all parallel, making it a poorly-structured list. I don\u2019t really care, you\u2019ve all probably seen this movie before, but here\u2019s a chance to see it again.
\n1999 USA. Director: David Fincher. Starring: Edward Norton, Brad Pitt, Helena Bonham-Carter.<\/em><\/small>
\nMust See<\/b>
\n(repeats at 11pm)<\/p>\n
\nJason Reitman\u2019s breakout film was also one of my favorites of 2005 \u2013 sure, it\u2019s a bit slight and isn\u2019t perfect, but its story of a hotshot PR guy working for cigarette companies struck just the right note of cynical and absurd humor. The really high-quality cast doesn\u2019t hurt either, with everybody, no matter how small their role, making a memorable impression.
\n2005 USA. Director: Jason Reitman. Starring: Aaron Eckhart, Katie Holmes, Rob Lowe, Maria Bello, David Koechner, J.K. Simmons, Adam Brody, Sam Elliott.<\/em><\/small>
\n(repeats at 1:05am on the 7th)<\/p>\n","protected":false},"excerpt":{"rendered":"