In just about two weeks’ time, the TCM Classic Film Festival will descend on Los Angeles once again, turning downtown Hollywood into a mecca for film fans hungry for the glamour and nostalgia of the days of yore. Waxing poetic aside, this is the third year for the festival, and it seems to be going as strong as ever. Last year, attendance nearly doubled over the first festival, so we’ll see what the crowds are like this year! In any case, with Robert Osborne and the TCM crew bringing in films big and small, essential and rare, along with star appearances and special events galore, it’s sure to be a weekend of fun for anybody who loves classic Hollywood. The theme this year is “Style in the Movies” – with an apparent eye toward costume design and set decoration. There are sidebars for specific designers, specific “looks,” especially style-conscious directors, and even the broader Essentials section has been curated to favor films that feature a unique design aesthetic. Confirmed special guests include Kirk Douglas (who was fantastic last year at a screening of Spartacus), Debbie Reynolds, Liza Minnelli, Shirley Jones, Kim Novak, Robert Wagner, Angie Dickinson, director Norman Jewison, and more.
Along with the festival, TCM sponsors a Road to Hollywood series of screenings in various cities throughout the weeks leading up to the festival, with Robert Osborne and special guests presenting the screening. That series continues with The Last Picture Show March 31st in Toronto, Seven Brides for Seven Brothers April 3rd in Denver, and Marty April 5th in Portland. TCM did this last year as well, bringing a taste of the festival to other cities, so even if you don’t live in LA, keep an eye on where TCM is holding these (free!) screenings. Plus, you may learn insider info before the rest of us – at a recent screening, Robert Osborne let it slip that Mel Brooks will be a special guest. But he caught himself before revealing what film Brooks will be introducing – could even be something not announced yet!
As far as the main event in Hollywood, taking place April 12-15, Festival Passes are still available, and individual tickets will be on sale before each screening. With no further ado, here is the line-up thus far announced. I got the schedule while I was working on this, so some of the entries reflect my knowledge that I won’t be seeing them due to scheduling conflicts. There will be many more that will fall to the vagaries of a very full three-day schedule. (Note: I took most of the synopses below from IMDb, so my apologies if they’re bland.)
Essentials
20,000 Leagues Under the Sea (1954)
Director: Richard Fleischer
Starring: Kirk Douglas, James Mason, Paul Lukas, Peter Lorre
Synopsis: A ship sent to investigate a wave of mysterious sinkings encounters the advanced submarine, the Nautilus, commanded by Captain Nemo.
My take: I’ve not seen this before, but Disney’s first live-action feature film promises practical special effects galore, and I’m a sucker for those. Plus, any chance to see Kirk Douglas live is probably worth taking. Hoping to see
Festival Guide
In attendance: Kirk Douglas
Annie Hall (1977)
Director: Woody Allen
Starring: Woody Allen, Diane Keaton, Tony Roberts, Carol Kane, Paul Simon, Shelley Duvall, Christopher Walken, Colleen Dewhurst
Synopsis: Neurotic New York comedian Alvy Singer falls in love with the ditsy Annie Hall.
My take: I love this film a lot; in fact, it’s a constant battle between this and Manhattan for the title of my favorite Woody Allen film. Still, I think I’ll skip this in favor of things I haven’t seen a dozen times. Probably won’t see
Festival Guide
Auntie Mame (1958)
Director: Morton DaCosta
Starring: Rosalind Russell, Forrest Tucker, Coral Browne
Synopsis: An orphan goes to live with his free-spirited aunt. Conflict ensues when the executor of his father’s estate objects to the aunt’s lifestyle.
My take: I haven’t seen this film, despite liking Rosalind Russell a good bit. That said, it’s not that high on my list and scheduling being what it is, this probably isn’t the time. Not seeing
Festival Guide
In attendance: Todd Oldham
Black Narcissus (1947)
Director: Michael Powell & Emeric Pressburger
Starring: Deborah Kerr, Kathleen Byron, David Farrar, Flora Robson, Jean Simmons
Synopsis: After opening a convent in the Himalayas, five nuns encounter conflict and tension – both with the natives and also within their own group – as they attempt to adapt to their remote, exotic surroundings.
My take: I have seen this, but it’s been so long I don’t remember much of it. I’ve been wanting to rewatch it for quite some time now, and I’d definitely love the opportunity to see Jack Cardiff’s Technicolor cinematography on the big screen. Planning to see
Festival Guide
In attendance: Thelma Schoonmaker
Cabaret (1972)
Director: Bob Fosse
Starring: Liza Minnelli, Michael York, Helmut Griem, Joel Grey
Synopsis: A female girlie club entertainer in Weimar Republic era Berlin romances two men while the Nazi Party rises to power around them.
My take: I love this movie, but this is the opening night premiere film, which is very difficult to get into. I’ve seen the film a lot of times, so I won’t bother with it here. Not seeing
Festival Guide
Screening notes: Opening night film; World Premiere of 40th anniversary restoration
In attendance: Liza Minnelli and Joel Grey
Casablanca (1942)
Director: Michael Curtiz
Starring: Humphrey Bogart, Ingrid Bergman, Paul Henreid, Claude Rains, Pete rLorre, Sydney Greenstreet, Dooley Wilson, Conrad Veidt
Synopsis: Set in unoccupied Africa during the early days of World War II: An American expatriate meets a former lover, with unforeseen complications.
My take: I’ve seen this film more times than I can count, and it seems like they show it every year. So if you’re coming in from out of town and haven’t seen this on the big screen, by all means, do so. But I’ll save my time for other things. Not seeing
Festival Guide
Screening notes: 70th Anniversary digital restoration
Dr. No (1962)
Director: Terence Young
Starring: Sean Connery, Ursula Andress, Bernard Lee, Joseph Wiseman, Jack Lord
Synopsis: James Bond’s investigation of a missing colleague in Jamaica leads him to the island of the mysterious Dr. No and a scheme to end the US space program.
My take: This remains one of the best Bond movies, though I still place it lower than Connery’s next two outings. It’d be fun to rewatch it on the big screen, but other things claim my time more strongly. Probably won’t see
Festival Guide
In attendance: Eunice Gayson, Maud Adams
Duck Soup (1933)
Director: Leo McCarey
Starring: The Marx Brothers, Margaret Dumont, Louis Calhern, Leonid Kinskey
Synopsis: Rufus T. Firefly is named president/dictator of bankrupt Freedonia and declares war on neighboring Sylvania over the love of wealthy Mrs. Teasdale.
My take: I usually place A Night at the Opera and A Day at the Races as my favorite Marx Brothers film, but most people like this one the best. Time to re-evaluate? Since it’s a midnight movie with no timeslot competition, I think yes. Planning to see
Festival Guide
Elmer Gantry (1960)
Director: Richard Brooks
Starring: Burt Lancaster, Jean Simmons, Shirley Jones
Synopsis: Smitten with lay preacher Sister Sharon, fast-talking traveling salesman Elmer Gantry uses his swift wit and persuasiveness to join her ministry; but his unsavory past isn’t far behind.
My take: This film won Oscars for both Burt Lancaster and Shirley Jones, which I’ve known forever due to my early obsession with Oscars as well as my enjoyment of Jones’s Rodgers & Hammerstein musicals. Yet I’ve never actually seen it. If scheduling works out, I definitely wouldn’t mind catching up with it now. Hoping to see
Festival Guide
In attendance: Shirley Jones
Grand Illusion (1937)
Director: Jean Renoir
Starring: Jean Gabin, Erich von Stroheim, Pierre Fresnay
Synopsis: During the First World War, two French soldiers are captured and imprisoned in a German POW camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
My take: This movie blew me away when I first saw it, and I absolutely wouldn’t mind seeing it again. (Anyone who hasn’t seen it needs to NOW.) But I’m not dead set on revisiting it, and will let the schedule dictate this one. Might see
Festival Guide
Screening notes: US Premiere of 75th Anniversary restoration
The Grapes of Wrath (1940)
Director: John Ford
Starring: Henry Fonda, Jane Darwell, John Carradine, Charley Grapewin, John Qualen
Synopsis: A poor Midwest family is forced off of their land. They travel to California, suffering the misfortunes of the homeless in the Great Depression.
My take: I saw this for the first time last year and was more than impressed with it, especially on a visual level (which I hadn’t expected); that would show up even better on the big screen, but I’m not sure I’m quite up fr a rewatch just yet. Probably won’t see
Festival Guide
High Society (1956)
Director: Charles Walters
Starring: Bing Crosby, Grace Kelly, Frank Sinatra, Celeste Holm, John Lund, Louis Calhern, Louis Armstrong
Synopsis: Tracy Lord is getting remarried, but her wedding is about to be crashed by her ex-husband and two reporters hoping for a big society scoop.
My take: As much fun as it sounds like it would be to watch a film poolside at the Hollywood Roosevelt, and as innocuously enjoyable as this film is, I’m not a big enough fan of it to make much of an effort. Not seeing
Festival Guide
Screening Notes: Presented poolside at the Hollywood Roosevelt
The Longest Day (1962)
Director: Ken Annakin, Andrew Marton, Bernhard Wicki
Starring: John Wayne, Robert Ryan, Richard Burton, Paul Anka, Arletty, Sal Mineo, Robert Wagner, Richard Beymer, Jean-Louis Barrault, Bourvil, Red Buttons, Sean Connery
Synopsis: The events of D-Day, told on a grand scale from both the Allied and German points of view.
My take: Even though I generally like war films more than the next girl, I haven’t taken the time to see this one yet, despite the all-star cast, and I likely won’t take three hours of time to watch it here. Probably won’t see
Festival Guide
In attendance: Robert Wagner
The Pink Panther (1964)
Director: Blake Edwards
Starring: David Niven, Peter Sellers, Claudie Cardinale, Capucine, Robert Wagner
Synopsis: Bumbling and conceited French police inspector Clouseau tries to catch The Phantom, a daring jewel thief whose identity and features are unknown – and is acting right under his nose.
My take: I have seen this film and enjoyed it a lot, but it pales in comparison with its sequel, A Shot in the Dark, which I rewatched just a few weeks ago. So as fun as it is, I’ll give this a pass. Not seeing
Festival Guide
In attendance: Robert Wagner
Rio Bravo (1959)
Director: Howard Hawks
Starring: John Wayne, Dean Martin, Ricky Nelson, Angie Dickinson, Walter Brennan
Synopsis: A small-town sheriff in the American West enlists the help of a cripple, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
My take: Oh man, it’s incredibly tempting to sit down and relax with this film for the umpteenth time. And if the scheduling works out, I might just do it. Might see
Festival Guide
In attendance: Angie Dickinson
Sabrina (1954)
Director: Billy Wilder
Starring: Audrey Hepburn, Humphrey Bogart, William Holden
Synopsis: A playboy becomes interested in the daughter of his family’s chauffeur. But it’s his more serious brother who would be the better man for her.
My take: As a big fan of Billy Wilder, Audrey Hepburn, AND Humphrey Bogart, I’m a little surprised at how underwhelming I tend to find this film, especially since a lot of people like it a whole lot. If I take time to watch it here, it’ll be in full-on Rewatched and Reconsidered mode. Probably won’t see
Festival Guide
Presented by: Janie Bryant
The Searchers (1956)
Director: John Ford
Starring: John Wayne, Jeffrey Hunter, Vera Miles, Ward Bond, Natalie Wood, John Qualen
Synopsis: As a Civil War veteran spends years searching for a young niece captured by Indians, his motivation becomes increasingly questionable.
My take: Seeing this film on the big screen (and not just any big screen, but Grauman’s Chinese) would be a treat, for sure. I may pass it up for one of the less ubiquitous films at the fest, but I dunno. It’s really tempting. Might see
Festival Guide
Singin’ in the Rain (1952)
Director: Stanley Donen, Gene Kelly
Starring: Gene Kelly, Debbie Reynolds, Donald O’Connor, Jean Hagen
Synopsis: A silent film production company and cast make a difficult transition to sound.
My take: Tempting, very tempting to catch one of my all-time favorite movies on the big screen. But I’ve seen it so many times and it plays the American Cinematheque with some frequency, so I can’t justify it unless the schedule is very, very forgiving. Probably won’t see
Festival Guide
Screening notes: World Premiere of 60th Anniversary restoration
In attendance: Debbie Reynolds, Patricia Kelly
Snow White and the Seven Dwarfs (1937)
Director: Ben Sharpsteen, William Cottrell, David Hand, Wilfred Jackson, Larry Morey Perce Pearce
Starring: Adriana Caselotti, Harry Stockwell, Lucille La Verne
Synopsis: Snow White, pursued by a jealous queen, hides with the Dwarfs; the queen feeds her a poison apple, but Prince Charming awakens her with a kiss.
My take: I made time for Fantasia last year, and I might just make time for Disney’s pioneering animated feature this time (I am due for a rewatch on it). Might see
Festival Guide
Sullivan’s Travels (1941)
Director: Preston Sturges
Starring: Joel McCrea, Veronica Lake, Robert Warwick, William Demarest, Franklin Pangborn, Porter Hall, Eric Blore
Synopsis: A director of escapist films goes on the road as a hobo to learn about Life…which gives him a rude awakening.
My take: This and The Lady Eve duke it out constantly as my favorite Preston Sturges film, and I’m more than overdue for a rewatch on this. But the scheduling doesn’t quite work out, unfortunately. Not seeing
Festival Guide
In attendance: Ron Perlman
The Thomas Crown Affair (1968)
Director: Norman Jewison
Starring: Steve McQueen, Faye Dunaway
Synopsis: A debonair, adventuresome bank executive believes he has pulled off the perfect multi-million dollar heist, only to match wits with a sexy insurance investigator who will do anything to get her man.
My take: Mostly all I remember from this film is the incredibly awesome chess-playing seduction scene, and I’d really love a refresher on the rest of it, even if it is largely a film of cool style over substance. Hoping to see
Festival Guide
In attendance: Norman Jewison
To Catch a Thief (1955)
Director: Alfred Hitchcock
Starring: Cary Grant, Grace Kelly, Jessie Royce Landis
Synopsis: When a reformed jewel thief is suspected of returning to his former occupation, he must ferret out the real thief in order to prove his innocence.
My take: This has never been among my favorite Hitchcock films, but I have to admit, it’s the one to choose when your theme is “Style in the Movies.” Style this movie has in spades. Still, I rewatched it hoping for a better reevaluation last year, and I’m not up for doing it again just yet. Not seeing
Festival Guide
Vertigo (1958)
Director: Alfred Hitchcock
Starring: James Stewart, Kim Novak, Barbara Bel Geddes
Synopsis: A San Francisco detective suffering from acrophobia investigates the strange activities of an old friend’s wife, all the while becoming dangerously obsessed with her.
My take: My second-favorite Hitchcock film, always worthy of a big-screen rewatch. But I’m even more gung-ho about it this time since my husband has never seen it. This is the time. Planning to see
Festival Guide
In attendance: Kim Novak
Wings (1927)
Director: William A. Wellman
Starring: Richard Arlen, Charles “Buddy” Rogers, Clara Bow
Synopsis: Two young men, one rich, one middle class, who are in love with the same woman, become fighter pilots in World War I.
My take: I saw this movie way back when I was intent on watching all the Academy Award winning films (this won the first Best Picture award); so, like, fifteen years ago. Now with my renewed interest in silent cinema, I’d love to look at it again with fresh and better-educated eyes. Hoping to see
Festival Guide
In attendance: A.C. Lyles, Bill Wellman Jr.
The Women (1939)
Director: George Cukor
Starring: Norma Shearer, Joan Crawford, Rosalind Russell, Joan Fontaine, Paulette Goddard, Mary Boland, Virginia Wiedler
Synopsis: A study of the lives and romantic entanglements of various interconnected women.
My take: I have seen this film a dozen times, and I will take any excuse offered to see it again. It’s that much fun watching all these fabulous ladies duke it out over men who never appear onscreen. And I’m dragging Jonathan to it, too. Planning to see
Festival Guide
Presented by: Todd Oldham
Young Frankenstein (1974)
Director: Mel Brooks
Starring: Gene Wilder, Peter Boyle, Marty Feldman, Cloris Leachman, Teri Garr, Madeline Kahn, Kenneth Mars
Synopsis: Dr. Frankenstein’s grandson, after years of living down the family reputation, inherits granddad’s castle and repeats the experiments.
My take: When Robert Osborne leaked that Mel Brooks would be a guest, I wondered if he might be introducing this film (especially with the Universal sidebar going on at the Fest), and I was right. I love this film dearly, but the 1000 times I’ve seen it might count against it here. I’m still undecided, though. Might see
Festival Guide
In attendance: Mel Brooks
Discoveries
Bonjour Tristesse (1958)
Director: Otto Preminger
Starring: Deborah Kerr, David Niven, Jean Seberg, Mylène Demongeot, Geoffrey Horne
Synopsis: Cecile is a decadent young girl who lives with her rich playboy father Raymond. When Anne, Raymond’s old love interest, comes to Raymond’s villa, Cecile is afraid for her way of life.
My take: I’ve vaguely heard of this film quite a bit, but I never knew very much about it until looking it up right now. Jean Seberg just before Breathless is certainly a tempting proposition. Might see
Festival Guide
Presented by: Barbara Tfank
Call Her Savage (1932)
Director: John Francis Dillon
Starring: Clara Bow, Gilbert Roland, Thelma Todd
Synopsis: Sexy Texas gal storms her way through life, brawling and boozing until her luck runs out, forcing her to learn the errors of her ways.
My take: Now we’re into ones that I know less about, and that’s all the better. I really enjoyed seeing Clara Bow’s final film Hoop-la at last year’s festival, and I’m more than down to see her in another pre-Code talkie. Planning to see
Festival Guide
Screening notes: New 35mm preservation print from Museum of Modern Art
Presented by: David Stenn and Katie Trainor, Anne Morra (at different screenings)
Fall Guy (1947)
Director: Reginald Le Borg
Starring: Robert Armstrong, Leo Penn, Teala Loring, Elisha Cook Jr
Synopsis: Penn stars as a hard-drinking veteran who awakens from a drug-induced blackout with vague memories of a murdered blonde. His search for the truth leads him through a demimonde populated by drug dealers, addicts, bar girls and even a stoolie (the screen’s best, Elisha Cook, Jr.).
My take: The festival guide calls in one of the “noirest of all noir.” I pretty much have to see that to find out if it’s more noir than Detour. Planning to see
Festival Guide
Presented by: Walter Mirisch
Lonesome (1928)
Director: Pál Fejös
Starring: Barbara Kent, Glenn Tryon, Andy Devine
Synopsis: Two lonely people in the big city meet and enjoy the thrills of an amusement park, only to lose each other in the crowd after spending a great day together. Will they ever see each other again?
My take: I have never ever heard of this film, but the descriptions I’m seeing (“a truly American approach to German Expressionism”, etc.) are giving me Sunrise vibes. This kind of thing is absolutely what I come to this festival to see. Planning to see
Festival Guide
The Macomber Affair
Director: Zoltan Korda
Starring: Gregory Peck, Joan Bennett, Robert Preston, Reginald Denny
Synopsis: Robert Wilson leads safaris on the Kenyan savanna, and is taking Mr. and Mrs. Macomber out to hunt buffalo. The obnoxious ways of Margaret Macomber make the three of them get on each others nerves, but sparks are about to fly.
My take: Another I’ve never heard of, apparently a Hemingway safari love triangle adventure story. I’m not against any of those things in any way, but this will come down to scheduling. Hoping to see
Festival Guide
A Night to Remember (1958)
Director: Roy Ward Baker
Starring: Kenneth More, Ronald Allen, Robert Ayres, Honor Blackman
Synopsis: The Titanic disaster is depicted in straightforward fashion without the addition of fictional subplots.
My take: I wasn’t too much interested in this one (I’ve already seen a couple of versions of the Titanic story – the boat goes down in them all), but the description of it as a non-fictionalized almost-documentary is kind of intriguing. We’ll see. Might see
Festival Guide
Screening notes: Newly restored print
Presented by: Don Lynch
Phase IV (1974)
Director: Saul Bass
Starring: Nigel Davenport, Michael Murphy, Lynne Frederick, Alan Gifford
Synopsis: Desert ants suddenly form a collective intelligence and begin to wage war on the desert inhabitants. It is up to two scientists and a stray girl they rescue from the ants to destroy them. But the ants have other ideas.
My take: Okay, hold up. Saul Bass directed a movie? And it sounds like a combination of “Leiningen vs.the Ants” and Them!? Oh yeah, I’m there. Thanks, TCM, for programming some midnight stuff. 🙂 Planning to see
Festival Guide
In attendance: Michael Murphy
Seconds (1966)
Director: John Frankenheimer
Starring: Rock Hudson, Frank Campanella, John Randolph
Synopsis: Want out of your life? Just pay the fee and we’ll fake your death, change your face, and set up a new identity for you…but you may or may not be pleased with the results.
My take: Now, this is one I definitely SHOULD rewatch. When I first saw it ages ago, I was rather underwhelmed, but it routinely makes “hidden gem” lists, so I definitely need to check it out again. But the scheduling may do me in once again. Hoping to see
Festival Guide
In attendance: Richard Anderson
Who Done It? (1942)
Director: Erle C. Kenton
Starring: Bud Abbott, Lou Costello, Patric Knowles, William Gargan, Louise Allbritton
Synopsis: Two dumb soda jerks dream of writing radio mysteries. When they try to pitch an idea at a radio station, they end up in the middle of a real murder when the station owner is killed during a broadcast.
My take: I have a soft spot for Abbott & Costello, but even though I went through a bunch of their films as a teenager, I don’t think ever saw this one. I definitely would, though, as comedy-mysteries are always fun. Might see
Festival Guide
Screening notes: Will be screened with the 1949 Three Stooges short Who Done It?
In attendance: Michael Schlesinger
Built by Design: Architecture in Film
Bringing Up Baby (1938)
Director: Howard Hawks
Starring: Cary Grant, Katharine Hepburn, May Robson, Charles Ruggles, Barry Fitzgerald, Virginia Walker
Synopsis: While trying to secure a $1 million donation for his museum, a befuddled paleontologist is pursued by a flighty and often irritating heiress and her pet leopard “Baby.”
My take: I actually rewatched Bringing Up Baby a few months ago, and even though I love it, it’s a bit too manic for me to want to watch it again so soon. Maybe next time. Not seeing
Festival Guide
Presented by: Matt Tyrnauer
The Fountainhead (1949)
Director: King Vidor
Starring: Gary Cooper, Patricia Neal, Raymond Massey, Kent Smith, Robert Douglas, Henry Hull
Synopsis: An uncompromising, visionary architect struggles to maintain his integrity and individualism despite personal, professional and economic pressures to conform to popular standards.
My take: Not a film I’ve ever been particularly interested in seeing; a film fraught with Ayn Rand’s philosophy just sounds too heavy to be any fun. On the other hand, the screencap above is pretty gorgeous. Not seeing
Festival Guide
In attendance: Eric Lloyd Wright, Matt Tyrnauer
Mr. Blandings Builds His Dream House (1948)
Director: H.C. Potter
Starring: Cary Grant, Myrna Loy, Melvyn Douglas, Reginald Denny, Louise Beavers
Synopsis: A man and his wife decide they can afford to have a house in the country built to their specifications. It’s a lot more trouble than they think.
My take: Despite being a big Cary Grant fan and this being one of Grant’s more popular movies among his fans, I have never caught up with it. This may or may not be the time. Might see
Festival Guide
My Architect: A Son’s Journey (2003)
Director: Nathaniel Kahn
Synopsis: Director Nathaniel Kahn searches to understand his father, noted architect Louis Kahn, who died bankrupt and alone in 1974.
My take: I’m not that much of a documentary person, and with only the tenuous “architecture in film” tying this into the festival, I’ll skip it. Not seeing
Festival Guide
In attendance: Matt Tyrnauer, Nathaniel Kahn
Deco Design
Counsellor-at-Law (1933)
Director: William Wyler
Starring: John Barrymore, Bebe Daniels, Doris Kenyon, Isabel Jewell, Melvyn Douglas, Thelma Todd
Synopsis: Successful attorney has his Jewish heritage and poverty-stricken background brought home to him when he learns his wife has been unfaithful.
My take: I’ve totally never heard of this film, but it’s definitely got an intriguing cast and director, plus the tagline on the Kino DVD case is “William Wyler’s hard-boiled comedy.” Still, I’m not sure that can over come potential scheduling difficulties. Might see
Festival Guide
Presented by: Illeana Douglas
Our Dancing Daughters (1928)
Director: Harry Beaumont
Starring: Joan Crawford, Johnny Mack Brown, Anita Page
Synopsis: Diana is outwardly the hit of the party but inwardly virtuous and idealistic. Her friend Ann is thoroughly selfish and amoral. Both are attracted to Ben Black, soon-to-be millionaire.
My take: I’ve actually been dying to see some of Joan Crawford’s silent stuff, but haven’t had a good opportunity. This is one of the best opportunities, so I’m pretty much not going to miss it. Planning to see
Festival Guide
In attendance: Linda Snyder-Sterne
Swing Time (1936)
Director: George Stevens
Starring: Fred Astaire, Ginger Rogers, Helen Broderick, Victor Moore, Erik Rhodes, Eric Blore
Synopsis: A performer and gambler travels to New York City to raise the $25,000 he needs to marry his fiancée, only to become entangled with a beautiful aspiring dancer.
My take: This is one of my comfort movies; I can put it on any time and it cheers me up immediately. That said, I’ve seen it a hundred times, so I’ll likely skip it. Probably won’t see
Festival Guide
Trouble in Paradise (1932)
Director: Ernst Lubitsch
Starring: Herbert Marshall, Miriam Hopkins, Kay Francis, Charles Ruggles, Edward Everett Horton, C. Aubrey Smith
Synopsis: A gentleman thief and a lady pickpocket join forces to con a beautiful perfume company owner. Romantic entanglements and jealousies confuse the scheme.
My take: Last year TCM Fest played Design for Living, and I was really disappointed I had to miss it. Hopefully that won’t happen this time, because I’ve been dying to rewatch both these early ’30 Lubitsch films for quite a while. Hoping to see
Festival Guide
Presented by: Matt Tyrnaver, Deborah Nadoolman Landis (at different screenings)
The Noir Style
Criss Cross (1949)
Director: Robert Siodmak
Starring: Burt Lancaster, Yvonne DeCarlo, Dan Duryea, Stephen McNally
Synopsis: An armored truck driver and his lovely ex-wife conspire with a gang to have his own truck robbed on the route.
My take: This film noir has been on my list for a LONG time and I’ve never gotten around to it. It looks like this may finally be the time, and I’m really looking forward to it. Planning to see
Festival Guide
Presented by: Eddie Muller
Cry Danger (1951)
Director: Robert Parrish
Starring: Dick Powell, Rhonda Fleming, William Conrad, Regis Toomey
Synopsis: Ex-con Rocky Mulloy seeks the real culprit in the crime he was framed for, in a night world of deceptive dames and double crosses.
My take: Noir film I haven’t heard of AND it stars Dick Powell? Sign me up. Planning to see
Festival Guide
Screening notes: Preservation funded by The Film Noir Foundation
In attendance: Rhonda Fleming, Eddie Muller
Gun Crazy (1950)
Director: Joseph H. Lewis
Starring: Peggy Cummins, John Dall
Synopsis: A well meaning crack shot husband is pressured by his beautiful marksman wife to go on an interstate robbery spree, where he finds out just how depraved and deadly she really is.
My take: This is a noir I always recommend to people; despite getting a lot of love from noir fans, it remains surprisingly underseen, and it’s loads of fun. If I can get to it, I’m due a rewatch. Hoping to see
Festival Guide
In attendance: Peggy Cummins, Eddie Muller
Night and the City (1950)
Director: Jules Dassin
Starring: Richard Widmark, Gene Tierney, Googie Withers, Hugh Marlowe, Herbert Lom
Synopsis: A small-time grifter and nightclub tout takes advantage of some fortuitous circumstances and tries to become a big-time player as a wrestling promoter.
My take: It’s been a while since I saw this one, but I enjoyed it quite a bit – really great use of on-location London filming with a noir style. Not one I’m necessarily jumping to see again, especially with so many noirs I haven’t seen playing. Not seeing
Festival Guide
Presented by: Eddie Muller
Raw Deal (1948)
Director: Anthony Mann
Starring: Dennis O’Keefe, Raymond Burr, Claire Trevor, Marsha Hunt
Synopsis: After taking a prison rap for a friend, Joe mounts an escapes despite his friend’s double-cross.
My take: Another noir I’ve never heard of, AND it stars Claire Trevor, AND it’s directed by Anthony Mann? Sign me up twice. Planning to see
Festival Guide
In attendance: Marsha Hunt, Eddie Muller
Legendary Costumes of Travis Banton
Cleopatra (1934)
Director: Cecil B. DeMille
Starring: Claudette Colbert, Warren William, Henry Wilcoxon, Joseph Schildkraut
Synopsis: The man-hungry Queen of Egypt leads Julius Caesar and Marc Antony astray, amid scenes of DeMillean splendor.
My take: I’ve got to admit, I’m morbidly curious to see this; it doesn’t have the best reputation among DeMille’s canon, but sometimes a little over-the-top excess isn’t such a bad thing. Might see
Festival Guide
In attendance: Deborah Nadoolman Landis, Bob Mackie
Cover Girl (1944)
Director: Charles Vidor
Starring: Rita Hayworth, Gene Kelly, Lee Bowman, Phil Silvers, Leslie Brooks, Eve Arden, Otto Kruger
Synopsis: Rusty Parker wins a contest and becomes a celebrated cover girl; this endangers her romance with dancing mentor Danny.
My take: Frankly, this movie is fairly forgettable, aside from the dancing-with-himself number Gene Kelly did, prefiguring his later iconic ballet numbers. It’s worth watching once, but that’s it. Not seeing
Festival Guide
I’m No Angel (1933)
Director: Wesley Ruggles
Starring: Mae West, Cary Grant, Gregory Ratoff, Edward Arnold
Synopsis: Working as a lion-tamer and flirting with rich men to get presents on the side, Tira seeks the man a fortune-teller promised is the love of her life.
My take: I saw the other West-Grant film She Done Him Wrong aaaages ago and wasn’t too impressed; but that was aaaages ago and I’m actually really interested to check this out. Hoping to see
Festival Guide
Presented by: Deborah Nadoolman Landis
Letter from an Unknown Woman (1948)
Director: Max Ophüls
Starring: Joan Fontaine, Louis Jourdan
Synopsis: A pianist about to flee from a duel receives a letter from a woman he cannot remember whom may hold the key to his downfall.
My take: I’ve seen this before, quite a while ago, and I remember being pretty bored and frustrated by it. But I’ve heard a lot of good things about it and I’m kind of curious to see if I was wrong. But I don’t know if I’m all THAT curious. Might see
Festival Guide
Screening notes: Preservation funded by The Film Foundation
Nothing Sacred (1937)
Director: William A. Wellman
Starring: Carole Lombard, Fredric March, Charles Winninger, Walter Connolly, Sig Ruman
Synopsis: When a diagnosis of a terminal illness turns out to be incorrect, Hazel Flagg decides to milk it anyway, becoming the toast of New York thanks to a reporter hungry for a heartwarming story.
My take: This is one of Carole Lombard’s most iconic roles, solidifying her madcap comedienne persona; I remember it being a tad on the shrill side, but it’s been a while since the last time I saw it. Might see
Festival Guide
Presented by: Deborah Nadoolman Landis
The Scarlet Empress (1934)
Director: Josef von Sternberg
Starring: Marlene Dietrich, John Lodge, Sam Jaffe, Louise Dresser, C. Aubrey Smith
Synopsis: Young Princess Sophia of Germany is taken to Russia to marry the half-wit Grand Duke Peter, but prefers Russian soldiers instead; eventually engineering a coup d’etat, she becomes Catherine the Great.
My take: I’ve spent weeks excited about this because I thought it was Shanghai Express. Now that I’ve learned better, I’m less excited. I’ve actually seen half of this movie and it looks nice, for sure, but beyond that it was kind of bland. Still, I guess I should finish it, just for completeness’ sake. Might see
Festival Guide
Presented by: Deborah Nadoolman Landis
The Films of Stanley Donen
Charade (1963)
Director: Stanley Donen
Starring: Cary Grant, Audrey Hepburn, Walter Matthau, George Kennedy, James Coburn
Synopsis: Romance and suspense in Paris, as a woman is pursued by several men who want a fortune her murdered husband had stolen. Who can she trust?
My take: This is one of my all-time favorite movies, and one I recommend to everybody I know (and I’ve never had anyone disappointed yet). I’m sure I’d be right there for it again if I hadn’t JUST watched it like three times over the past couple of months. Not seeing
Festival Guide
In attendance: Stanley Donen
Funny Face (1957)
Director: Stanley Donen
Starring: Audrey Hepburn, Fred Astaire, Kay Thompson
Synopsis: A photographer, fashion editor, and bookish model head to Paris for a fashion shoot, punctuated by music and romance.
My take: I’ve never been as into this film as a lot of Audrey Hepburn fans; it’s the height of stylishness, that’s for sure, and has some solid Gershwin songs, but I doubt I’ll go far out of my way for a rewatch. Not seeing
Festival Guide
In attendance: Stanley Donen
Two for the Road (1967)
Director: Stanley Donen
Starring: Audrey Hepburn, Albert Finney, Eleanor Bron, William Daniels
Synopsis: A couple in the south of France non-sequentially spin down the highways of infidelity in their troubled ten-year marriage.
My take: This film nigh unto blew me away when I saw it several years ago – one of the most grown-up films I’ve ever seen, with great performances and a fascinating non-linear structure to boot. Definitely love a rewatch, as it’s been a while. Hoping to see
Festival Guide
Screening notes: World Premiere of 45th Anniversary restoration
In attendance: Stanley Donen
The Paramount Renaissance
Black Sunday (1977)
Director: John Frankenheimer
Starring: Robert Shaw, Fritz Weaver, Bruce Dern
Synopsis: An Israeli anti-terrorist agent must stop a disgruntled Vietnam vet cooperating in a plot to commit a terrorist plot at the Super Bowl.
My take: I don’t know much about this film (I spent a few misused minutes trying to figure out how a Mario Bava film could be in a Paramount sidebar), but Frankenheimer is always solid, and it sounds interesting. We’ll leave this one up to scheduling. Might see
Festival Guide
In attendance: Robert Evans
Chinatown (1974)
Director: Roman Polanski
Starring: Jack Nicholson, Faye Dunaway, John Huston
Synopsis: A private detective investigating an adultery case stumbles on to a scheme of murder that has something to do with water.
My take: This is another one I’m definitely hoping to see with Jonathan; for me, it’s probably the quintessential neo-noir crossed with a peculiarly ’70s sense of alienation that hits on all cylinders. Planning to see
Festival Guide
In attendance: Robert Towne
Love Story (1970)
Director: Arthur Hiller
Starring: Ryan O’Neal, Ali MacGraw
Synopsis: A pair of class-crossed lovers defy their parents’ distaste for their union, but can’t stop the inevitable as Jenny faces a terminal illness.
My take: I’ve never seen this, but I don’t have much desire to, either, except as pure academic curiosity. Which doesn’t take me very far in a very crowded festival. Not seeing
Festival Guide
In attendance: Robert Evans
Marathon Man (1976)
Director: John Schlesinger
Starring: Dustin Hoffman, Roy Scheider, Laurence Olivier
Synopsis: A graduate history student is unwittingly caught in the middle of an international conspiracy involving stolen diamonds, an exiled Nazi war criminal, and a rogue government agent.
My take: Another one I only know about in bits and snatches, but that synopsis sounds AWESOME (much better than my mental picture of Dustin Hoffman running a marathon for two hours). If I can make time for this, I probably will. Hoping to see
Festival Guide
In attendance: Robert Evans
Rosemary’s Baby
Director: Roman Polanski
Starring: Mia Farrow, John Cassavettes, Ruth Gordon, Sidney Blackmer, Maurice Evans, Ralph Bellamy, Elisha Cook Jr.
Synopsis: A young couple move into a new apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins controlling her life.
My take: TWO Roman Polanski films at the fest, how about that? I watched this a couple of years ago and wasn’t as impressed as I wanted to be, though there are certainly some good moments. I should re-evaluate at some point, but this probably isn’t the time. Probably won’t see
Festival Guide
In attendance: Robert Evans
Universal’s Legacy of Horror
The Black Cat (1934)
Director: Edgar G. Ulmer
Starring: Boris Karloff, Bela Lugosi
Synopsis: American honeymooners in Hungary are trapped in the home of a Satan-worshiping priest when the bride is taken there for medical help following a road accident.
My take: I feel like I’ve seen this before, but maybe not – I definitely don’t recall Karloff and Lugosi playing chess. And I think I need to see that. Planning to see
Festival Guide
In attendance: Sara Karloff, Bela G. Lugosi
Dracula (1931)
Director: Tod Browning
Starring: Bela Lugosi
Synopsis: The ancient vampire Count Dracula arrives in England and begins to prey upon the virtuous young Mina.
My take: Neither my favorite version of Dracula nor my favorite Universal horror film; you definitely ought to see it once, but it creaks far more than even I like. Not seeing
Festival Guide
In attendance: Carla Laemmle
Frankenstein (1931)
Director: James Whale
Starring: Boris Karloff, Colin Clive, Mae Clarke, John Boles
Synopsis: Horror classic in which an obsessed scientist assembles a living being from parts of exhumed corpses.
My take: This one is my favorite of the Universal horror cycle, and since Jonathan hasn’t seen it yet, I’m hoping to save a place for it on my schedule. But I have seen it a lot of times and I’m not going to be disappointed if I miss it. Hoping to see
Festival Guide
Screening notes: New restoration, with restored cuts made in post-1931 reissues to comply with the Production Code
In attendance: John Carpenter
Son of Frankenstein (1939)
Director: Rowland V. Lee
Starring: Basil Rathbone, Bela Lugosi, Boris Karloff
Synopsis: One of the sons of Frankenstein finds his father’s monster in a comma and revives him, only to find out he is controlled by Ygor who is bent on revenge.
My take: I initially blew this off looking at the schedule (sequels to sequels to sequels of horror films, nah), but the more I think about it, the more I’m curious to check it out. Maybe it’s just Lugosi and Karloff together again, but yeah. Might see
Festival Guide
Presented by: John Landis
The Wolf Man (1941)
Director: George Waggner
Starring: Lon Chaney Jr., Bela Lugosi, Claude Rains, Maria Ouspenskaya
Synopsis: A practical man returns to his homeland, is attacked by a creature of folklore, and infected with a horrific disease his disciplined mind tells him can not possibly exist.
My take: This is one of the few major Universal horrors I haven’t, and it’s one of the stories that interests me the most. I’ve had it on my list forever, and this is a great time to cross it off. Hoping to see
Festival Guide
In attendance: Rick Baker
Special Presentations
A Fine Mess: Laurel and Hardy
Program of shorts includes: Helpmates (1932), County Hospital (1932), Busy Bodies (1933)
Starring: Stan Laurel & Oliver Hardy
Synopsis: A collection of three sound Laurel & Hardy shorts made for the Hal Roach studios, but after Leo McCarey left. Laurel supervised these films, though uncredited.
My take: I’ve liked the few Laurel and Hardy films I’ve seen (I’ve mostly seen silents, because they show them before silent features at Cinefamily sometimes), and I wouldn’t say no to these. But other things are likely to eclipse it on the schedule. Might see
Festival Guide
“A Trip to the Moon” and Other Trips Through Time, Color and Space
Program of early cinema shorts includes: A Trip to the Moon (1902, Georges Méliès), Apr&eagrave;s le bal (1897, Georges Méliès), A Trip Down Market Street (1906, Miles Brothers), Caruso sings “La Donna 7egrave; Mobile” (1908, Alfred Duskes), The Acrobatic Fly (1910, F. Percy Smith), Balloon Land (1935, Ub Iwerks), and more
Synopsis: A curated collection of early films focusing on technical experiments and flights of fancy.
My take: I would LOVE to see the newly restored version of A Trip to the Moon, that’s for sure, and the other things listed on the program also intrigue me a lot, with my current fascination with early cinema. I’ll definitely make an effort to get to this program. Hoping to see
Festival Guide
Screening notes: 2011 restoration of A Trip to the Moon, with original hand-coloring and new score by AIR
Presented by: Director, producer, and historian Serge Bromberg
Baby Peggy: The Elephant in the Room
Director: Vera Iwerebor
Starring: “Baby Peggy” Diana Serra Cary
Synopsis: A documentary about “Baby Peggy,” one of cinema’s first child stars, doing pretty much all of her work by the age of 11, and all in the silent era.
My take: Cinefamily has shown Baby Peggy-related things before; in fact, I think they’ve shown one of her few surviving films (Captain January) with her in attendance. I’d frankly rather see that than a documentary about her, so as wonderful as it is that she’s still with us and willing to do appearances like this, I might have to skip this. EDIT: They are now also showing a program of her shorts. Probably won’t see
Festival Guide
In attendance: “Baby Peggy” Diana Serra Cary, Vera Iwerebor
Girl Shy (1924)
Director: Fred C. Newmeyer, Sam Taylor
Starring: Harold Lloyd
Synopsis: A shy, young man, who is completely incapable of talking to women, decides to write a book that details to other bachelors how to find a girlfriend.
My take: I’ve only seen a couple of Harold Lloyd films, and I enjoyed them both – this one is supposed to be one of his best, just shy of Safety Last, so if I can get to this, I will. Planning to see
Festival Guide
Screening notes: New score composed and conducted by Robert Israel
How the West Was Won (1962)
Director: John Ford, Henry Hathaway, George Marshall
Starring: Debbie Reynolds, John Wayne, Henry Fonda, James Stewart, Gregory Peck, Thelma Ritter, Lee Van Cleef, Harry Dean Stanton
Synopsis: A family saga covering several decades of Westward expansion in the nineteenth century–including the Gold Rush, the Civil War, and the building of the railroads.
My take: I’m not a huge fan of this star-studded, bloating attempt to encapsulate the entire history of the Old West in less than three hours, but I am being swayed mightily by the opportunity to see one of the only Cinerama films ever made in one of the last remaining Cinerama domes. That alone is tempting. Might see
Festival Guide
Screening notes: Sponsored by ArcLight Cinemas and presented at ArcLight’s Cinerama Dome
Retour de Flamme: Rare and Restored Films in 3-D
Program of shorts includes: L’Arivée d’un Train en Gare de la Ciotat (1935 3D version, Lumière Brothers), Musical Memories (1935, Max Fleischer), Melody (1953, Disney), Motor Rhythm (1939), Falling in Love Again (2003, Munro Ferguson), Murder in 3-D (1941, Pete Smith)
Synopsis: A curated collection of 3D films and experiments from the 1930s through 1950s (and a few outliers).
My take: I don’t like 3D in general, but the opportunity to see films made with older and experimental 3D processes is kind of intriguing. And given several of these are animated, I’m not sure I can resist. Hoping to see
Festival Guide
Presented by: Director, producer, and historian Serge Bromberg
The Thief of Bagdad (1924)
Director: Raoul Walsh
Starring: Douglas Fairbanks, Julane Johnston, Anna May Wong, Snitz Edwards, Charles Belcher, Sojin
Synopsis: A recalcitrant thief vies with a duplicitous Mongol ruler for the hand of a beautiful princess.
My take: Cinefamily played this last year along with their Fairbanks retrospective, and I missed both screenings. I’d love to rectify that here. Hoping to see
Festival Guide
Screening notes: Accompanied by the Mont Alto Motion Picture Orchestra
Club TCM
Also vying for time are panels, lectures, displays, and events held at the passholder-only Club TCM in the Roosevelt Hotel. I usually try to hit one of these just for variety’s sake, but which one is dictated mostly by scheduling.
Meet TCM: The People Behind the Network
Thursday, April 12 1pm-2pm
The Maltese Touch of Evil: New Perspectives on Film Noir
TCM brand manager Shannon Clute and film scholar Richard Edwards – cohosts of podcast Out of the Past: Investigating Film Noir
Thursday, April 12 3pm-4pm
The History of Oscars’ Red Carpet
Friday, April 13 12:30pm-1:30pm
The Ultimate Film Noir
Film noir expert Eddie Muller and actress Rose McGowan
Friday, April 13 2:30pm-4pm
So You Think You Know Movies
New York Film Forum’s Bruce Goldstein hosts movie trivia
Friday, April 13 5:30pm-6:30pm
The Good, The Bad, and the Beautiful
Costume designer and author Deborah Nadoolman Landis
Saturday, April 14 12:30pm-2pm
African Americans On-Screen: 1903 to the Present
Film historian Donald Bogle
Saturday, April 14 3:30pm-4:30pm
Hollywood Home Movies: Treasures from the Academy Film Archive Collection
Presented by AMPAS representatives Randy Haberkamp and Lynne Kirste, with special guests Margaret O’Brien, and members of the MacMurray, McQueen, and Koster families
Saturday, April 14 6pm-7pm
Classic Movie Memorabilia Appraisals by Bonhams
Sunday, April 15 10am-2pm
Imagemakers: The Truth Behind Hollywood’s PR Machine from the Golden Age to Now
Moderator: Pete Hammond. Panelists: Henri Bollinger, Dick Guttman, Arnold Robinson
Sunday, April 15 12:30pm-1:30pm
Designing Iconic Movie Imagery
Moderator: Randy Haberkamp. Panelists: Jim Bissell, Terence March, Jim Pascale
Sunday, April 15 2:30pm-3:30pm
The Brown Derby: A Hollywood Legend
Mark Willems
Sunday, April 15 4:30pm-5:30pm
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With a recent study coming out suggesting that over 50% of young theater goers would like to be able to text in movie theatres, a bunch of film blogs have offered their opinions on the subject, mostly aghast at the idea. Glenn Kenny doesn’t directly disagree, but offers a very entertaining account of attending rowdy second run theatres in the ’70s as background for why he can’t get very worked up over the whole texting thing. He does bring up an interesting point, insomuch as our tendency to complain about current audiences implicitly suggests that audiences used to be much more polite and respectful, which my research doesn’t bear out any more than Glenn’s experience, but I still think there’s a difference. The audiences he’s describing (besides being at second run theatres) are at least still engaged either with the movie or with each other – it maintains a communal experience that clearly generates memorable stories. Texting on the one hand isolates the texter from the audience around them and imposes the texter’s non-movie, non-communal activity on those around them, and generates nothing memorable in return. Still, Glenn’s point that there is no mythical “golden age” of perfect cinema audiences is well-taken.
Billy Wilder is one of my favorite filmmakers, and I’m far from alone; as The Playlist mentions in the opening paragraph, The Artist director Michel Hazanavicius thanked only one former filmmaker in his Oscar speech, and that was Billy Wilder. The man made a few mediocre films, but he has an extraordinarily consistent output of great films, and The Playlist goes through them all chronologically, with a well-written and informative paragraph about each one.
I’ve known Carley before thanks to her blog The Kitty Packard Pictorial, and Will on Twitter, and now they’ve joined forces with some other classic movie fans to create The Cinementals, what looks to be an invaluable classic film site. They’re already off to a strong start with one of the best classic film podcasts I’ve heard, and this episode is particularly solid thanks to special guest Scott McGee, a producer at TCM (he produces a lot of the promotional and tribute videos that play between films on the network). With the TCM Classic Film Festival looming, they talk a bunch about that, but also about Scott’s experience seeing the Napoleon restoration in San Francisco, the fight to save Pickfair Studios, and more.
A major stereotype of silent film serials is the damsel in distress threatened by a mustachioed villain – as parodied in Dudley Do-Right, for example. But actually, an awful lot of early serials had female heroines, who were often quite capable of taking care of themselves. Brandie runs down a few of the most prominent (the only one I’d heard of before was The Perils of Pauline) ones. Of course, there were also plenty of male-centric serials in the teens (Les Vampires, etc.) and even more into the 1930s, when comic strip-type adventure heroes took over. But that’s a topic for another time.
It’s old news at this point that film studios are planning to go all-digital in the near future, but many cinephiles are still conflicted about the inevitable shift from film to digital. I’m conflicted myself, and Doug Dibbern does a great job of articulating the myriad of feelings we have about this. Taking the occasion of a demo of a DCP film shown side-by-side with its 35mm counterpart, Dibbern points out that part of our concern is an irrational veneration for physical, as if “the film” (in a Platonic sense) exists there more purely than anywhere else, as if different prints and different screenings weren’t already unique due to many different factors. As he says, DCP projection is often excellent, and it’s hard to find rational reasons to complain…but as he finishes in a more elegiac tone: “I know it’s not rational to revere film as a manifestation of a Platonic ideal, but that misplaced reverence, irrational as it is, may be why we were all drawn to art in the first place.”
I’m putting these two together, both very worthwhile articles about the newest box office blockbuster, The Hunger Games. I finally saw it this weekend, so I got to read all the articles about it. These do both contain spoilers. Palmer points out that while many dystopian stories go from ignorance to knowledge to action, while The Hunger Games eschews the ignorance portion – even with the prevalent and misleading media, Katniss knows that the system is bad, she just needs a call to action and an opportunity to take it. Meanwhile, Rowan-Legg talks about Katniss the character as a hero, specifically in the tradition of Buffy the Vampire Slayer, suggesting that it both does and doesn’t matter than she’s female. It’s a good, strong reading of a well-written and well-played character.
